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This work brings to light nearly 100 'new' recordings, broadcasts, and films discovered since the last Benny Goodman bio-discography published in 1996. It also examines in detail all 182 shows of Goodman's 'Camel Caravan' radio series and nearly 400 collector-oriented LP, tape, and CD releases.

This is the first comprehensive study of the music and life of Theodore 'Fats' Navarro. It provides biographical, discographical, and analytical information on the trumpeter and his recorded legacy, offering new perspectives on Navarro's role in the history and emergence of Bebop.

Contrary to the widely held opinion that most of our hit and standard songs were composed by a handful of top writers-Berlin, Gershwin, Kern, Porter, and Rodgers-the fact is that the vast majority of them were written by relatively unknown composers.

Fifties Jazz Talkis a collection of interviews with musicians who first came to prominence during the 1950's.

This text traces the stride piano style from its roots in minstrel shows and ragtime, through the contributions of itinerant entertainers, to its joyful birth in Harlem, where it became known as Harlem piano.

A wonderful reminder for those who lived through the Swing Era, Bob Inman's radio logs also serve as a valuable and lively reference source for researchers and students of social history and jazz music. Inman's radio logs contain first-hand accounts of live Manhattan Swing shows he witnessed, and is well-illustrated with over 500 photographs of prominent musicians from the height of the Swing Era.

An entertaining and unpretentious chronicle of a life in American popular music, recounted with wit and honesty. Bennett evokes a bygone era when 'territory' and 'name' bands-each with its own 'girl singer'-crisscrossed the country.

Tommy Dorsey was not only a bandleader, but one of the most prolific musicians of the century. Stockdale has compiled detailed discographical listings of nearly 3,000 recordings together with brief biographical information. Each recording is listed in chronological order and includes the studio, city, date of the session, the name of the recording group, its personnel and their instruments, plus the matrix number, song title, vocalist (if any), and all known worldwide releases. The listing even includes any known pseudonyms under which the recording may have been released. Complete indexes of the recording groups, individual musicians and singers, an index of all titles, composers, and lyricists.

This is a critical survey and discography of Louis Armstrong's most formative phase - the period during which he worked alongside such luminaries as King Oliver, Bessie Smith, Sidney Bechet, Fletcher Henderson and Earl Hines.

Terry Gibbs, jazz vibraphonist and bandleader, was 12 years old when he began his career as a professional musician. This autobiography tracks jazz from the turbulent post-war years through the rise of bebop, traversing its changes through the eyes of a practitioner. A discography is included.