Bøker i Studies in Theatre History and Culture-serien

Following a brief historical background, this book provides a chronological series of perspectives and observations on the evolving nature of Czech theatre production during the 20th century, in relation to their similarly evolving social and political contexts.

This collection examines the problems and challenges of formulating national theatre histories. The essayists included here provide an international context for national theatre histories as well as studies of individual nations.

In early twentieth-century US culture, sex sold. The Progressive Era was obsessed with prostitution, sexuality, and the staging of women's changing roles in the modern era. By the 1910s, plays about prostitution had inundated Broadway. Katie N. Johnson recovers six of these plays, presenting them with astute cultural analysis, photographs, and production histories.

Whereas previous studies of poverty and early modern theatre have concentrated on England and the criminal rogue,Poverty and Charity in Early Modern Theatre and Performance takes a transnational approach, which reveals a greater range of attitudes and charitable practices regarding the poor than state poor laws and rogue books suggest.

What does it mean to perform whiteness in the postcolonial era? To answer this question - crucial for understanding the changing meanings of race in the twenty-first century - Megan Lewis examines the ways that members of South Africa's Afrikaner minority have performed themselves into, around, and out of power from the colonial period to the postcolony.