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Norah Borges (1901-98) was the sister of the celebrated Argentine writer Jorge Luis Borges. She first began producing art in Switzerland, where her family was trapped during the First World War, and travelled to Spain before returning to her native Argentina with her new styles of painting. In the 1920s, her work was published on the covers of important cultural magazines, but she is now largely forgotten. In her works, Borges created a world full of almost angelic figures - describing it as a smaller, more perfect world - mostly a serene space dominated by women. This book explores how Borges created that space and developed her own unique style of painting, studying the connections she made with the leading artists and writers of her time.

This book examines the work of the sixteenth-century Spanish religious painter, Luis de Morales.

"A Host of Devils" provides an in-depth account of the background, origin and development of the spirit figure sculptures which emerged during colonial times among the Makonde people who mainly inhabit the Mueda plateau in Cabo Delgado region, Mozambique.

By examining the pictorial episodes in the Spanish baroque novella, this book elucidates how writers create pictorial texts, how audiences visualise their words, what consequences they exert on cognition and what actions this process inspires. To interrogate characters' mental activity, internalisation of text and the effects on memory, this book applies methodologies from cognitive cultural studies, Classical memory treatises and techniques of spiritual visualisation. It breaks new ground by investigating how artistic genres and material culture help us grasp the audience's aural, material, visual and textual literacies, which equipped the public with cognitive mechanisms to face restrictions in post-Counter-Reformation Spain. The writers examined include prominent representatives of Spanish prose -Cervantes, Lope de Vega, Maria de Zayas and Luis Velez de Guevara- as well as Alonso de Castillo Solorzano, Gonzalo de Cespedes y Meneses and an anonymous group in Cordoba.

In the mid-nineteenth century, Arthur Rimbaud, the volatile genius of French poetry, invented a language that captured the energy and visual complexity of the modern world. This book explores some of the technical aspects of this language in relation to the new techniques brought forth by the Impressionist painters such as Monet, Morisot, and Pissarro.

A collection of essays by international experts on Vicente Carducho's treatise the Dialogues on Painting (1633), which dealt with the depiction of religious and profane subjects, the creation of collections and the status of the painter in baroque Spain.

This collection of essays is aiming at capturing the rich and complex category of the "visual" both in Proust's novel itself (in its philosophical and stylistic implications) and beyond it, in other visual practices (cinema, painting, dance) inspired by the novel.

In this volume of essays, specialists explore the relations between modern literary text and visual image across a range of media - from novel, poetry and film to painting, fabric and print culture.

This study of Northwest Coast art outlines a history of ideas associated with Northwest Coast art objects from pre-Contact time to the 21st century. It examines the ways in which the physical location and contexts in which the objects are produced has helped to determine their meanings.