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Since her first book, Beauty: A Retelling of the Story of Beauty and the Beast, was published in 1978, Robin McKinley has enchanted young adult readers for more than thirty years. This study is the first in-depth analysis of McKinleys works, including her award-winning books The Blue Sword (Newbery Honor, 1983) and The Hero and the Crown (Newberry Medal, 1985). In Robin McKinley: Girl Reader, Woman Writer, Evelyn Perry examines McKinleys novels and short stories as grouped into three categories: those set in Damar, which introduce and develop the rich geographic, social, political, and linguistic history of McKinleys secondary world; the retellings of folk and fairy tales, which reveal not only McKinleys encyclopedic knowledge of source stories but her respectful and highly literate approach to their contemporary adaptation; and her other works, less easily categorized but generally most recent, written for more mature readers, and featuring a diverse set of influences from vampires to homeopathy. Perry also explores the feminist articulation of character and social settings that are dominant themes running through McKinleys works.Anyone interested in Robin McKinley and her work, including secondary and post-secondary students, faculty, and librarians, will find Robin McKinley: Girl Reader, Woman Writer a valuable resource.
This text provides a literary and/or cultural context for each of Wolff's novels for young people, discusses the characters in terms of the plot and style, analyzes particularly literary elements as appropriate, and summarizes critical response.
This book looks at how popular young adult literature fetishizes virginity. Christine Seifert examines how and why so much romance and dystopian fiction-the two most popular genres in YA lit-have focused on what she calls "abstinence porn"-a phenomenon that has broken out since the appearance of Twilight on the market.
In a series of probing, innovative essays, Marc Aronson explores the true potential of Young Adult literature and revels in the passion of its readers he exposes the real problem with teenagers and reading: adult myths, projections and blind prejudices.
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