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By the end of World War II, hundreds of thousands of young men in the Japanese colonies, in particular Taiwan and Korea, had expressed their loyalty to the empire by volunteering to join the army. Why and how did so many colonial youth become passionate supporters of Japanese imperial nationalism? And what happened to these youth after the war...

Lan Wu analyzes how Tibetan Buddhists and the Qing imperial rulers interacted and negotiated as both sought strategies to extend their influence in eighteenth-century Inner Asia. Revealing the interdependency of two expanding powers, Common Ground recasts the entangled histories of political, social, and cultural ties between Tibet and China.

A Qing law mandated that the reincarnations of prominent Tibetan Buddhist monks be identified by drawing lots from a golden urn. In Forging the Golden Urn, Max Oidtmann traces how a Chinese bureaucratic technology was exported to the Tibetan and Mongolian regions of the Qing empire and transformed into a ritual for authenticating reincarnations.

In eighteenth-century China, a remarkable intellectual transformation took place, centered on the ascendance of philology. In China's Philological Turn, Ori Sela foregrounds the polymath Qian Daxin to reconstruct the history of eighteenth-century Chinese learning and its long-lasting consequences.

Taking a panoramic view of Korea's dynamic literary production in the final decade of Japanese rule, When the Future Disappears locates the imprint of a new temporal sense in Korean modernism: the impression of time interrupted, with no promise of a future. As colonial subjects of an empire headed toward total war, Korean writers in this global fascist moment produced some of the most sophisticated writings of twentieth-century modernism.Yi T'aejun, Ch'oe Myongik, Im Hwa, So Insik, Ch'oe Chaeso, Pak T'aewon, Kim Namch'on, and O Changhwan, among other Korean writers, lived through a rare colonial history in which their vernacular language was first inducted into the modern, only to be shut out again through the violence of state power. The colonial suppression of Korean-language publications was an effort to mobilize toward war, and it forced Korean writers to face the loss of their letters and devise new, creative forms of expression. Their remarkable struggle reflects the stark foreclosure at the heart of the modern colonial experience. Straddling cultural, intellectual, and literary history, this book maps the different strategies, including abstraction, irony, paradox, and even silence, that Korean writers used to narrate life within the Japanese empire.

The most up-to-date and comprehensive analysis of corruption and change in the Chinese Communist Party, Cadres and Corruption reveals the long history of the party's inability to maintain a corps of committed and disciplined cadres.

On May 4, 1919, thousands of students protested the Versailles treaty in Beijing. Seventy years later, another generation demonstrated in Tiananmen Square. Climbing the Monument of the People's Heroes, these protestors stood against a relief of their predecessors, merging with their own mythology while consciously deploying their activism. Through an investigation of twentieth-century Chinese student protest, Fabio Lanza considers the marriage of the cultural and the political, the intellectual and the quotidian, that occurred during the May Fourth movement, along with its rearticulation in subsequent protest. He ultimately explores the political category of the "e;student"e; and its making in the twentieth century.Lanza returns to the May Fourth period (1917-1923) and the rise of student activism in and around Beijing University. He revisits reform in pedagogical and learning routines, changes in daily campus life, the fluid relationship between the city and its residents, and the actions of allegedly cultural student organizations. Through a careful analysis of everyday life and urban space, Lanza radically reconceptualizes the emergence of political subjectivities (categories such as "e;worker,"e; "e;activist,"e; and "e;student"e;) and how they anchor and inform political action. He accounts for the elements that drew students to Tiananmen and the formation of the student as an enduring political category. His research underscores how, during a time of crisis, the lived realities of university and student became unsettled in Beijing, and how political militancy in China arose only when the boundaries of identification were challenged.

At the periphery of the Chinese empire, a group of innovative entrepreneurs built companies that dominated the Chinese salt trade and created thousands of jobs in the Sichuan region. This book challenges long-held beliefs that social structure, absence of modern banking, and cultural bias against business precluded industrial development in China.

Nathan explored the roots of the Tiananmen tragedy in Deng Xiaoping's ten-year reform. How will cultural values and attitudes shape China's political development? What will be the impact of Taiwan, Hong Kong, and the West? Drawing on ground-breaking empirical research, Nathan measures the expectations of individual Chinese and their attitudes toward government and democracy.

Based on the author's firsthand observations of the Chinese joint family, the book presents a wealth of new infomation on joint family economic and social organization.

Angela Ki Che Leung's meticulous study begins with the classical annals of the imperial era, which contain the first descriptions of a feared and stigmatized disorder modern researchers now identify as leprosy. She then tracks the relationship between the disease and China's social and political spheres (theories of contagion prompted community and statewide efforts at segregation); religious traditions (Buddhism and Daoism ascribed redemptive meaning to those suffering from the disease), and evolving medical discourse (Chinese doctors have contested the disease's etiology for centuries). Leprosy even pops up in Chinese folklore, attributing the spread of the contagion to contact with immoral women.Leung next places the history of leprosy into a global context of colonialism, racial politics, and "e;imperial danger."e; A perceived global pandemic in the late nineteenth century seemed to confirm Westerners' fears that Chinese immigration threatened public health. Therefore battling to contain, if not eliminate, the disease became a central mission of the modernizing, state-building projects of the late Qing empire, the nationalist government of the first half of the twentieth century, and the People's Republic of China. Stamping out the curse of leprosy was the first step toward achieving "e;hygienic modernity"e; and erasing the cultural and economic backwardness associated with the disease. Leung's final move connects China's experience with leprosy to a larger history of public health and biomedical regimes of power, exploring the cultural and political implications of China's Sino-Western approach to the disease.

Curtis surveys the current state of Japanese politics and predicts what events are likely to transpire in Japan in the coming years. This book offers a unique perspective into Japanese political identity through the lens of its relation to worldwide political systems.

Between 1949 and 1997, Hong Kong transformed from a struggling British colonial outpost into a global financial capital. Made in Hong Kong delivers a new narrative of this metamorphosis, revealing Hong Kong both as a critical engine in the expansion and remaking of postwar global capitalism and as the linchpin of Sino-U.S. trade since the 1970s.

By examining the manufacturing, commercial, and cultural activities of the maverick industrialist Chen Diexian (1879-1940), Eugenia Lean illustrates how lettered men of early-twentieth-century China engaged in "vernacular industrialism," the pursuit of industry and science outside of conventional venues.

Beauty in the Age of Empire is a global history of aesthetic education focused on how Western practices were adopted, transformed, and repurposed in Egypt and Japan. Raja Adal uncovers the emergence of aesthetic education in modern schools and its role in making a broad spectrum of ideologies from fascism to humanism attractive.

Socialist Cosmopolitanism offers an innovative interpretation of literary works from the Mao era that reads Chinese socialist literature as world literature. As Nicolai Volland demonstrates, after 1949 China engaged with the world beyond its borders in a variety of ways and on many levels-politically, economically, and culturally. Far from rejecting the worldliness of earlier eras, the young People's Republic developed its own cosmopolitanism. Rather than a radical break with the past, Chinese socialist literature should be seen as an integral and important chapter in China's long search to find a place within world literature. Socialist Cosmopolitanism revisits a range of genres, from poetry and land reform novels to science fiction and children's literature, and shows how Chinese writers and readers alike saw their own literary production as part of a much larger literary universe. This literary space, reaching from Beijing to Berlin, from Prague to Pyongyang, from Warsaw to Moscow to Hanoi, allowed authors and texts to travel, reinventing the meaning of world literature. Chinese socialist literature was not driven solely by politics but by an ambitious-but ultimately doomed-attempt to redraw the literary world map.

Heroes and Toilers offers an unprecedented account of life and labor in postwar North Korea that looks at both governance and popular resistance. Cheehyung Harrison Kim traces the state's pursuit of progress through industrialism and examines how ordinary people challenged the state every step of the way.

The origins and evolution of technocratic fascism in wartime Japan.

Passage to Manhood is a groundbreaking and beautifully written ethnography that addresses the intersection of modernity, heroin use, and AIDS as they intersect in a new "rite-of-passage" among young ethnic-minority males in contemporary China.

A critical rethinking of theories of national imagination, The Dawn That Never Comes offers the most detailed reading to date in English of one of modern Japan's most influential poets and novelists, Shimazaki Toson (1872-1943). It also reveals how Toson's works influenced the production of a fluid, shifting form of national imagination that has characterized twentieth-century Japan. Analyzing Toson's major works, Michael K. Bourdaghs demonstrates that the construction of national imagination requires a complex interweaving of varied-and sometimes contradictory-figures for imagining the national community. Many scholars have shown, for example, that modern hygiene has functioned in nationalist thought as a method of excluding foreign others as diseased. This study explores the multiple images of illness appearing in Toson's fiction to demonstrate that hygiene employs more than one model of pathology, and it reveals how this multiplicity functioned to produce the combinations of exclusion and assimilation required to sustain a sense of national community. Others have argued that nationalism is inherently ambivalent and self-contradictory; Bourdaghs shows more concretely both how this is so and why it is necessary and provides, in the process, a new way of thinking about national imagination. Individual chapters take up such issues as modern medicine and the discourses of national health; ideologies of the family and its representation in modern literary works; the gendering of the canon of national literature; and the multiple forms of space and time that narratives of national history require.

Brings together 17 essays by leading scholars to construct a comprehensive cultural history of Taiwan under Japanese rule. This book explores a number of topics through a variety of theoretical, comparative, and postcolonial perspectives, painting a complex and nuanced portrait of a pivotal time in the formation of Taiwanese national identity.

Geoffrey Barstow explores the tension between Buddhist ethics and Tibetan cultural norms to offer a novel perspective on the spiritual and social dimensions of meat eating within Tibetan religiosity. Barstow offers a detailed analysis of the debates over meat and vegetarianism from the tenth century through the Chinese invasion in the 1950s.

How did American schoolchildren, French philosophers, Russian Sinologists, Dutch merchants, and British lawyers imagine China and Chinese law? What happened when agents of presumably dominant Western empires had to endure the humiliations and anxieties of maintaining a profitable but precarious relationship with China? In Chinese Law in Imperial Eyes, Li Chen provides a richly textured analysis of these related issues and their intersection with law, culture, and politics in the eighteenth and nineteenth centuries.Using a wide array of sources, Chen's study focuses on the power dynamics of Sino-Western relations during the formative century before the First Opium War (1839-1842). He highlights the centrality of law to modern imperial ideology and politics and brings new insight to the origins of comparative Chinese law in the West, the First Opium War, and foreign extraterritoriality in China. The shifting balance of economic and political power formed and transformed knowledge of China and Chinese law in different contact zones. Chen argues that recovering the variegated and contradictory roles of Chinese law in Western "e;modernization"e; helps provincialize the subsequent Euro-Americentric discourse of global modernity.Chen draws attention to important yet underanalyzed sites in which imperial sovereignty, national identity, cultural tradition, or international law and order were defined and restructured. His valuable case studies show how constructed differences between societies were hardened into cultural or racial boundaries and then politicized to rationalize international conflicts and hierarchy.

Fixing Landscape reconsiders China's Three Gorges Dam in relation to the aesthetic history of the Gorges region over more than two millennia, thereby offering radically new ways of thinking about cultural and spatial production in contemporary China.

Soon after the end of World War II, a majority of the nearly 7 million Japanese civilians and serviceman who had been posted overseas returned home. Heeding the call to rebuild, these veterans helped remake Japan and enjoyed popularized accounts of their service. For those who took longer to be repatriated, such as the POWs detained in labor camps in Siberia and the fighters who spent years hiding in the jungles of islands in the South Pacific, returning home was more difficult. Their nation had moved on without them and resented the reminder of a humiliating, traumatizing defeat. Homecomings tells the story of these late-returning Japanese soldiers and their struggle to adapt to a newly peaceful and prosperous society. Some were more successful than others, but they all charted a common cultural terrain, one profoundly shaped by media representations of the earlier returnees. Japan had come to redefine its nationhood through these popular images. Yoshikuni Igarashi explores what Japanese society accepted and rejected, complicating the definition of a postwar consensus and prolonging the experience of war for both Japanese soldiers and the nation. He throws the postwar narrative of Japan's recovery into question, exposing the deeper, subtler damage done to a country that only belatedly faced the implications of its loss.

Reto Hofmann uncovers the ideological links between the fascist governments and cultures of Japan and Italy, shedding light on the formation of fascism's global...

Franz Prichard offers a pathbreaking analysis of the works wrought from Japan's intensive urbanization in the 1960s and 1970s. He maps the ways in which Japanese filmmakers, writers, photographers, and other artists came to grips with the entwined ecologies of a drastic transformation.

Nathan Shockey examines the emergence of new forms of reading, writing, and thinking in Japan from the last years of the nineteenth century through the first decades of the twentieth. The Typographic Imagination presents a multivalent vision of the rise of mass print media and the transformation of modern Japanese literature, language, and culture.