Bøker i Studies on Themes and Motifs in Literature-serien

Islands, both literal and figurative, recur in fiction authored by many prominent Canadian women writers. Using a critical lens based on Northrop Frye and Julia Kristeva, this book closely examines fourteen novels by eight twentieth-century authors, emphasizing works by L. M. Montgomery, Margaret Laurence, and Margaret Atwood. Several of the novels, such as Montgomery¿s Anne of Green Gables, Laurence¿s A Jest of God and The Diviners, Atwood¿s Surfacing and Bodily Harm, Alice Munro¿s The Lives of Girls and Women, and Gabrielle Roy¿s The Tin Flute, are among Canadäs most well-known. Some of the works discussed present the island as a redemptive retreat, but in most cases the island¿s role is ambiguous, ranging from a temporary respite from life¿s pressures to a nightmarish trap.

Frequenting circuses in Paris and Berlin, Frank Wedekind, best known for "Spring Awakening" and the Lulu plays, learned that trapeze artists and tightrope walkers rely on different artificial reference points in space, in order to maintain their balance and orient themselves and to create their own sensorial and phenomenal worlds.