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A first-person narration of the events around the last days of Alexander the Great, told by Phyllis, a cook in the young king's army.

Gustave Roud, perhaps the most beloved poet of Swiss Romandy, is widely considered the founder of modern francophone Swiss literature, along with Charles-Ferdinand Ramuz. Roud lived at his grandfather's farm in Carrouge, Canton Vaud, for his entire life. In Air of Solitude, the first section of this two-part book, he stalks the structures and fields of his youth, composing memories out of his landscape. The narrator appears homegrown, expressing nostalgia for what is already in front of him. Yet, like an outsider, he remains distinctly elsewhere, unable to participate in the workday rituals of the men around him--a stalking shadow of unfulfilled yearning for affection and belonging. Air of Solitude explores the rural bodies and lives of the Vaudois, returning again and again to the desired male laborer Aimé. Between each section of Air of Solitude, Roud inserts short vignettes that provide fleeting and lyrical images that resemble allusions to half-forgotten memories. However, Roud leaves the relationship between the titled sections and the interludes ambiguous. As the book concludes with Requiem, the remnants of narrative shatter, leaving behind only the spectral tatters of memory as Roud confronts the enigma of loss in peerless, jewel-studded elegiac prose. With these two tales, Roud revives the pastoral tradition and injects it with distinctly modernist anxiety and disillusionment.

Philippe Jaccottet‿s newest work follows in some ways the approach of Seedtime, his recent two-volume collection of notebooks. Similarly comprising on-the-spot jottings, philosophical reflections, literary commentary, dream narratives and sundry “notes,â€? this book nonetheless differs from the preceding volumes in that the Swiss poet includes more personal material than ever before. Drawing on unpublished notebooks from the years 1952‿2005, Jacottet offers here passages about his family, the death of his father-in-law and of his mother, his encounters with other major poets‿such as René Char, Francis Ponge, Jean Tardieu, and his friends Yves Bonnefoy and André du Bouchet‿and his trips abroad, as well as, characteristically, his walks in the countryside around the village of Grignan, in the south of France, where he has lived since 1953. For a poet who has been notoriously discreet about his life, this book offers unexpected glimpses of the private man. Above all, the entries in this notebook show how one of the greatest European poets grapples with the discouraging elements of existence, counterbalancing them by recording fleeting perceptions in which “something else,â€? almost like a threshold, seems present. Â

It's Switzerland in the 1920s when the two lovers first meet. She is young, beautiful, and rich. In contrast, he can barely support himself and is interested only in music. By the end of their lives, he is a famous conductor and the richest man in the country, but she is penniless. And most important of all, no one knows of her love for him.

A collection of travel writings by the Swiss-French poet that takes him through war-torn parts of the Middle East, where he attends to scenes of faith and history that often go unremarked amid the turmoil.

Since the age of twelve, Karl, the father, has observed the family tradition of recording his life in a single notebook, but when his book is lost soon after his death, his son resolves to rewrite it. Here, we get to know Karl's friends - a collection of anti-fascist painters and architects known as Group 33.

Describes by the "Independent" as "one of the living greats of Swiss literature" - spoke to more than twelve hundred students and enthusiasts, sharing the sum of the author's understandings of poets and their timeless creations.

Originally published: Editons Zoâe, 2003.

The protagonist has just turned thirty and is engaged to be married and about to start work as a teacher. Frightened by the idea of settling down, he journeys to the Alps in a do-or-die effort to climb the unclimbed North Ridge, and by doing so prove he is not ordinary.

Friedrich Durrenmatt was one of the most important literary figures of the twentieth century, a talent on par with Samuel Beckett, Albert Camus, and Bertolt Brecht. Gathered from throughout his long career, this book includes his essays that are by turns playful and polemical, poetic and provocative, mordantly comical and deadly serious.

The day after his ninety-fourth birthday, a man is sitting in a beautiful garden. It is a paradise where he often played during his childhood, and it is here that he is recording the story of his adventures with Mr Adamson.

A fresh translation of the second volume of Max Frisch‿s diaries. By the time Swiss author Max Frisch published the second volume of his diaries or sketchbooks, he had achieved international recognition as a writer and dramatist. In this volume, he develops his version of the literary diary as a mosaic of musings on architecture and writing, travelogue, autobiography, and political insight. He considers Cold War tensions as well as the civil rights and anti‿Vietnam War movements in the United States. Now middle-aged himself, he looks squarely at men‿s evolving attitude to life, love, sex, women, and status. And for all the idyllic descriptions of his new home in Berzona, Frisch becomes increasingly critical of his native Switzerland, in particular the crackdowns on left-wingers and protestors, and receives abuse for his stance. Based on the second German edition that reinstated material that had been removed from the original 1972 version, this fresh and definitive translation brings an important mid-twentieth-century European classic back to life. Â

A brilliant collection of micro-fiction, reflecting our fragmented times. With quirky humor and wry insight, Swiss author Judith Keller's micro-fictions unravel the fabric of daily life. She delves into the aporia of language by taking idiomatic expressions literally, unpacking the multiple meanings of words, and confounding expectations. Seven Zurich tram stops provide the framework for these familiar yet absurd portraits of passers-by, fellow passengers on the tram, the unemployed and the overemployed, the innocent and the suspicious, young mothers and confused elderly. The reader is taken on a journey through the city and offered glimpses of people going more or less successfully about their lives. These deceptively banal glimpses, however, show us more than we expect--they turn the lens back on us, puncture our complacency and ask, "Who are you to judge?" The characters are hapless and far-fetched, trying to find their footing on shifting ground and grateful for what happiness they can find. In just a sentence or two, Keller unlocks metaphysical trapdoors. The Questionable Ones offers a collection of snapshots that reveal the extraordinary lurking inside the ordinary and the ordinary at the core of the extraordinary. >