Bøker i Technicities-serien

Rhythm and Critique presents 12 new essays from a range of specialists to define, contextualise and challenge the concepts of rhythm and rhythmanalysis. It includes newly translated materials from Rudolf Laban and Henri Meschonnic.

Ulrich Lehmann brings together methods and ideas from social sciences and material production to give us a new political reading of fashion in today's post-democracy. Accessing rare source material across a wide range of European languages and cultures, he gives us insight into new working structures in the manufacture of garments and textiles.

These essays address the epistemological, aesthetic and political implications of scale in both scholarly and artistic work. From the mass image in vernacular culture to transformations of photography in contexts of big data and artificial intelligence, they explore the massification of photography.

These essays address the epistemological, aesthetic and political implications of scale in both scholarly and artistic work. From the mass image in vernacular culture to transformations of photography in contexts of big data and artificial intelligence, they explore the massification of photography.

Drawing on theorists such as Jean Baudrillard, Jacques Derrida, Michel Foucault, Luce Irigaray, Friedrich Kittler, Michel Serres, Peter Sloterdijk, Carl Schmitt, Bernard Stiegler and Paul Virilio this collection makes connections between Cold War material and conceptual technologies, as they relate to the arts, society and culture.

Brian Willems draws on the science fiction of Cormac McCarthy, Paolo Bacigalupi, Neil Gaiman, China Mieville, Doris Lessing and Kim Stanley Robinson alongside speculative materialists including Graham Harman, Quentin Meillassoux and Jane Bennett, to try and imagine the end of anthropomorphism.

This pioneering interdisciplinary collection works across mainstream and alternative spaces such as Twitter, Youtube, Facebook, Grindr and gay men's health websites. These digital platforms are then situated within the socio-political situation in India, offering a new way of understanding queerness and Indian-ness.

This pioneering interdisciplinary collection works across mainstream and alternative spaces such as Twitter, Youtube, Facebook, Grindr and gay men's health websites. These digital platforms are then situated within the socio-political situation in India, offering a new way of understanding queerness and Indian-ness.

Jean Francois Lyotard was one of the leading French philosophers of his generation. This book presents a series of studies which explain Lyotard's specific interventions in areas such as information theory, new media arts, and the changing nature of the human, and assesses their relevance and impact in relation to other positions.

Holly Langstaff reappraises the influential French thinker Maurice Blanchot's writing from the 1940s to his late work in the 1980s, demonstrating how Blanchot's exploration of the question of technology remains decisive throughout his career. She situates Blanchot's fictional and critical work in the context of his thinking of art as techne - as it develops out of Martin Heidegger's philosophy. While Blanchot follows Heidegger in the view that writing is a form of techne, he never appeals for salvation from the menace of technology in the modern era. Rather, he sees in all forms of technology the opportunity for a new way of thinking beyond value. This, Blanchot calls an entirely different sort of affirmation. Langstaff demonstrates Blanchot's ongoing importance for contemporary philosophical debate about technology, the post-human, and ecological thinking. Holly Langstaff is Lecturer in French at St Edmund Hall, University of Oxford

Explores the increasingly intimate relationship between China and wireless technology, taking the wave as a central concept In the twenty-first century city, wireless waves constitute an imperceptible, immersive, all-encompassing environment. Nowhere is this more so than in China, where a hyperdense network of mobile media has restructured daily life. Anna Greenspan re-imagines the relationship between China and wirelessness by synthesizing contemporary media theory with modern Chinese thought. It focuses specifically on the work of three critical figures: Tan Sitong 譚嗣同 (1865-1898), Xiong Shili 熊十力 (1885-1968) and Mou Zongsan 牟宗三 (1909-1995). Anna Greenspan is Assistant Professor of Global Contemporary Media at NYU Shanghai.

Presents a new multidisciplinary perspective on portraiture in the era of post-digital media As technological practices of the portrait have proliferated across the media ecosystem in recent years, this canonical genre of identity and representation has provoked a new wave of scholarly attention and artistic experimentation. This collection of essays explores the stakes of that seemingly anachronistic comeback. It reframes portraiture as a set of cultural techniques for the dynamic performance of subjects entangled in specific medial configurations. Tracking the portrait across a wide range of media - literature, drawings, paintings, grave stelae, films, gallery installations, contemporary music videos, deep fakes, social media, video games and immersive VR interfaces - the contributors interrogate and transform persistent metaphysical and anthropocentric assumptions inherited from traditional notions of portraiture. Abraham Geil is Senior Lecturer in the Media Studies Department at the University of Amsterdam. Tomás Jirsa is Associate Professor of Literary Studies in the Department of Theatre and Film Studies at Palacký University Olomouc.