Bøker i Television and Popular Culture-serien

TV on Strike examines the 2007 upheaval in the entertainment industry by telling the inside story of the hundred-day writers' strike that crippled Hollywood. The television industry's uneasy transition to the digital age was the driving force behind the most significant labour dispute of the twenty-first century.

This volume focuses on the relationship between the rise of the multi-media environment-television and electronic media-and the decline of the humanities in academia, the changing role of print literacy, and the disintegration of historical consciousness. David Marc is as mad as hell about some things, and he's not going to take it any longer. He finds that most university humanities programs remain top-heavy with embittered careerists who would rather deny the evidence than admit that, with the rise and popular acceptance of mass media, their most cherished interests, their techniques, and skills have become archaic. New students are treated as if they read and write as often, and for the same purposes, as their counterparts before the rise of the television camera, telephone, and communications satellite. Professors get paid. Students receive diplomas. And yet, humanities courses are the joke of the campus. In analyzing the decline of the humanities on college campuses, Marc covers a wide range of issues, including political correctness, the growing tolerance of academic cheating, and institutionalized grade inflation.

Bringing together seventeen original essays by scholars from around the world, this title offers a variety of international perspectives on Gilmore Girls (WB/CW, 2000-2007).

This work shows that while the series ""The West Wing"" may be criticized as ""idealistic"", its clever techniques of camera work, lighting, editing, and mise en scene reflect America's best image of itself, and entertains a loyal audience that wants to believe in the nobility of the American Dream.

Focusing on themes of feminism, gender identity, and mental health, contributors explore the ways in which the CW dramedy Crazy Ex-Girlfriend challenged viewer expectations, as well as the role television critics play in identifying a show's ""authenticity"" or quality.

Reveals how the comic book hero has evolved to maintain relevance to America's fluctuating ideas of masculinity, patriotism, and violence. Stevens outlines the history of Captain America's adventures and places the unfolding storyline in dialogue with the comic book industry as well as America's varying political culture.

The first book dedicated to the analysis of this immensely successful series, Interrogating The Shield brings together ten critical essays, written from a variety of methodological and theoretical perspectives. Topics range from an exploration of the series' derivation, genre, and production, to expositions of the ethics, aesthetics, and politics of the show.

A critical inquiry into the new woman warrior's appropriation of violence and the Western war narrative. It delves into the meaning of that appropriation for alternative storytelling, and provides a forum to recognize women's increasing role in popular culture as they are cast as action heroes.

This sequel provides yet another dozen of today's most acclaimed writers and producers an open, uncensored forum in which they discuss everything from their work ethic to the political, social and economic issues affecting the television industry.

ER, ""Law and Order"" and ""The Sopranos"" are just a few of the dramas that launched a new era of TV at the turn of the millennium. This text gives scholars and fans alike a firsthand account of the lives, philosophy and contribution of some of the best writers and producers of the 1980s and 1990s.

In attempting to define ""Generation X"", Rob Owens offers a history of network and cable television since the birth of Generation X, and goes on to explore the symbiotic relationship between television and this largely misunderstood age group. He maintains that television consumes innocence.

A collection of interviews with some of today's top episodic TV writers contains revealing insights to why people become television writers and what makes them successful. Each chapter's topic is distilled into a practical lesson for both professionals and aspirants to heed if they wish to find or maintain success in writing for television.

Analyses the communication, politics, stereotypes, and genre techniques featured in the television series Scandal while raising key questions about the intersections of race, gender, sexuality, and viewing audiences.

Explores questions of authorship and audience response as well as themes of horror, gore, cannibalism, queerness, and transformation in the NBC series Hannibal. Contributors also address Hannibal's distinctive visual, auditory, and narrative style.

Analyses the communication, politics, stereotypes, and genre techniques featured in the television series Scandal while raising key questions about the intersections of race, gender, sexuality, and viewing audiences.

Explores questions of authorship and audience response as well as themes of horror, gore, cannibalism, queerness, and transformation in the the NBC series Hannibal. Contributors also address Hannibal's distinctive visual, auditory, and narrative style.

Given the importance of finales to television viewers and critics alike, Howard and Bianculli along with the other contributors explore endings and what they mean to the audience, both in terms of their sense of narrative and as episodes that epitomize an entire show.

First published in 1880, Ben-Hur became a best-seller. For over a century, it has become a ubiquitous pop cultural presence, representing a deeply powerful story and monumental experience for some and a defining work of bad taste and false piety for others. Bigger Than "Ben-Hur" to explores its polarizing effect and expands the contexts within which it can be studied.

Nat Hiken was the driving force behind the 1950s and 1960s series ""Sgt Bilko"" and ""Car 54, Where Are You?"". This biography of the television pioneer places him in broadcast history, drawing on first-hand interviews with some well-known TV personalities such as Carol Burnett and Alan King.

This work shows the behind-the-scenes writers of the best and the worst American television shows. Writers instanced include Paddy Chafesky and Steven Bochco, recounting their experiences of working and fighting with network producers, censors and stars. The books uses interviews and ancedotes.

In an age when geek chic has come to define mainstream pop culture, few writers and producers inspire more admiration than Joss Whedon. This collection of articles represents some of the best work covering a wide array of topics that clarify Whedon's importance, including considerations of narrative and visual techniques, myth construction, symbolism, gender, heroism, and the business side of television.

An anthology of writings that examine the TV sitcom in terms of its treatment of gender, family, class, race and ethnic issues. The selections range from early shows such as ""I Remember Mama"" to the more recent ""Roseanne"".

From 1960 to 1990, Alfred R. Schneider served as head of standards and practices, or ""chief censor"", for the American Broadcasting Company. This text, his autobiography, provides a unique history of American culture and the television industry.

Tells the story of an American grassroots organization that allows viewers to collectively voice their opinions to those responsible for the fate of television programmes. Swanson attempts to go beyond the realm of television to demonstrate the rewards of making the voice of public opinion heard.

Offers an insider's tour, touching on the network's dizzying decision-making process, and the artists who have revolutionized the medium.

This text is an account of the TV programme ""Lou Grant"". The creation of characters, casting of actors, the script writing process and the impact of network censors are detailed here. Interviews with actors, producers, writers, directors are also incorporated.