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How Wittgenstein's theories have been bent, transformed, and expanded in the world outside philosophy.

A heady cocktail of sex and trauma, refracted through the lens of ten of Alfred Hitchcock's iconic movies.

A memoir and manifesto by a pivotal figure at the junction of rock, the avant-garde, and an ever-widening spiral of art, theater, film, and dance.For over five decades, Elliott Sharp has been engaged in a quest at once quixotic and down to earth: to take the music he hears in his inner ear and bring it to life in the real world. In this vivid memoir and manifesto, Sharp takes us along on that quest, through some of the most rugged, anarchically fertile cultural terrain of our time. Sharp, a mainstay of the New York Downtown scene beginning in the 1980s, has been a pivotal figure at the junction of rock, experimental music, and an ever-widening spiral of art, theater, film, and dance. Rooted in blues, rock, jazz, and the twentieth-century avant-garde, Sharp's innovative music has encompassed fractal geometry, chaos theory, algorithms, genetic metaphors, and new strategies for graphic notation.In IrRational Music, Sharp dodges fake cowboys' real bullets by the side of a highway near Colby, Kansas; is called on the carpet by a prickly, pompadoured Morton Feldman ("Improvisation... I don't buy it”); segues from Zen tea to single malt with an elfin John Cage; conjures an extraterrestrial opera from a group of high-school students in Munich; and—back in his own high-school days—looks up from strumming Van Morrison's "Gloria” in Manny's Music on 48th Street to see Jimi Hendrix smiling benignly upon him. A mix of tales from the road with thoughts on music, art, politics, technology, and the process of thinking itself, IrRational Music is a glimpse inside the mind of one of our most exacting, exciting creative artists.

Dialogues between student and master about music, learning, teaching, the healing power of art, and the art of life itself.Knut Hamre has devoted his life to playing the Hardanger fiddle—a unique folk violin with resonating strings beneath, like a sitar's—and to teaching new generations the secrets of this ancient music, rooted in a stark and beautiful land. Benedicte Maurseth is one of his most accomplished students, an internationally known artist who has recorded for the ECM label. In a book that brings to mind such classics as Zen and the Art of Archery and Wabi Sabi, the student and her master together explore the quest for excellence and originality in the heart of a living tradition. At once mystical and practical, To Be Nothing is a series of dialogues about music, learning, teaching, the healing power of art, and the art of life itself. With photographs evoking the rugged landscapes and people from which this music springs and the exquisite beauty of the fiddles themselves, this is a work as serene as a fjord, and as deep.

A chronicle of re-remembering: an artist reflects on art, technology, consumption, near-death experiences, encounters with the wild, psychedelics, time travel, failure and courage.

A satire for our demented times, following the arc of Donald Trump's career as it bends toward injustice, hits it, and then sinks still lower.Few politicians in history have deserved lampooning as richly as Donald Trump. And few have gotten their just deserts served up as deliciously as they are in The Trumpiad, a work perceptively characterized by Stuart Klawans as "a true epic about a mock President.” In their caustic, uproarious Trumpiad, poet Evan Eisenberg and artist Steve Brodner present a satire in verse for our demented times. Inspired by Swift, Byron, and Ogden Nash as much as by John Oliver and Stephen Colbert, Eisenberg sets the stage ("Muse, you're fired”) and then traces our hero from the murk of his ancestry in the form of his grandfather Friedrich (an enterprising immigrant who ran a bordello) to the latest presidential high crimes and misadventures.Using a rakish, endlessly flexible five-line stanza he calls the Emilick—the love child of Emily Dickinson and Edward Lear— Eisenberg follows the arc of Trump's career as it bends toward injustice, hits it, and then sinks still lower. Brodner matches the poet punch for punch, in the spirit of such great satiric artists as Hogarth, Goya, and Daumier.About the illustrator:A regular contributor to the New Yorker, Rolling Stone, the New York Times, Harper's, Esquire, Playboy, Mother Jones, the Nation, and the Los Angeles Times, Steve Brodner has been hailed by Lewis Lapham as "a born arsonist” and by Edward Sorel as "incomparable...the best caricaturist around.” Widely credited with spearheading the revival of drawn satire over the past four decades, Brodner is the recipient of numerous awards, including the Hamilton King Award and the Aronson Award for Social Justice Journalism.This is the ballad of Donald Trump, A tale of greed and gall;A tragedy birthed before our eyes—A man, his money, his mouth, his rise And if there's a God, his fall.—The Trumpiad