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That Ireland is picturesque is a well-worn cliche, but little is understood of how this perception was created, painted and manipulated during the long eighteenth century. This book positions Ireland at core of the picturesque's development and argues for a greater degree of Irish influence on the course of European landscape theory and design.

Starting with a comparison of Queens Elizabeth I and Victoria, this title examines works by poets and painters, essayists and dramatists, architects and musicians. It explores the literary nature of Victorian history writing, and author reveals the degree to which painters were indebted to written records both fictional and factual.

As the wife of King George II, Caroline of Ansbach became queen of England in 1727. This volume intends to survey Caroline's significant contributions to the arts and culture and the ways in which she used her patronage to strengthen the royal family's connections between the recently installed House of Hanover and English society.

Exploring the relationship with painted portraits, conventions, settings, sitting, making and multiple production, this book argues that the new centrality and aesthetic ambition of the sculptural portrait were informed by Enlightenment notions of perception and selfhood.