Bøker i The Cultural Histories Series-serien

The period since the First World War has been a century distinguished by the loss of any unitary foundation for truth, ethics, and the legitimate authority of law. With the emergence of radical pluralism, law has become the site of extraordinary creativity and, on occasion, a source of rights for those historically excluded from its protection. A Cultural History of Law in the Modern Age tells stories of human struggles in the face of state authority - including Aboriginal land claims, popular resistance to corporate power, and the inter-generational ramifications of genocidal state violence. The essays address how, and with what effects, different expressive modes (ceremonial dance, live street theater, the acoustics of radio, the affective range of film, to name a few) help to construct, memorialize, and disseminate political and legal meaning. Drawing upon a wealth of visual, textual and sound sources, A Cultural History of Law in the Modern Age presents essays that examine key cultural case studies of the period on the themes of justice, constitution, codes, agreements, arguments, property and possession, wrongs, and the legal profession.

Written by an expert team of scholars this first volume examines war and resistance, different engines of economic performance and social and geographical mobility in the Mediterranean, slavery and social control, lived experience and the imperial discourses of race and identity, and the geographical and ecological settings in which the cultural histories of the Roman world played out. Together these chapters offer a bold new account of the Roman Empire, juxtaposing key topics that are not always considered together under the rubric of "culture."A Cultural History of Western Empires in Antiquity examines the cultural history of ancient Mediterranean empires, and focuses on the Roman Empire; the prototypical empire in western history and imagination. A wide-ranging introduction examines the nexus of state-formation and culture in the ancient Mediterranean world, from the rise of civilization in Mesopotamia to the fall of the Roman Empire in late antiquity.Richly-illustrated with images of monuments, statues, sculptures, mosaics, paintings, coins, and other colorful artefacts of ancient material culture, this volume reveals how the deep structures of imperial power and authority shaped everything from the labour and movements of the Roman Empire's mostly anonymous subjects to their sexualities and consciousness.

Marriage in Europe became a central pillar of society during the medieval period. Theologians, lawyers, and secular and church leaders agreed on a unique outline of the institution and its legal framework, the essential features of which remained in force until the 1980s. The medieval Western European definition of marriage was unique: before the legal consequences of marriage came into being, the parties had to promise to engage in sexual union only with one partner and to remain in the marriage until one of the parties died. This requirement had profound implications for inheritance rules and for the organization of the family economy; it was explained and justified in a multitude of theological discussions and legal decisions across all faiths on the European continent. Normative texts, built on the foundations of the scriptures of several religious traditions, provided an impressive intellectual framework around marriage. In addition, developments in iconography, including sculpture and painting, projected the dominant model of marriage, while social, demographic and cultural changes encouraged its adoption.This volume traces the medieval discussion of marriage in practice, law, theology and iconography. It provides an examination of the wider political and economic context of marriage and offers an overview of the ebb and flow of society's ideas about how expressions of human sexuality fit within the confines of a clearly defined social structure and ideology.A Cultural History of Marriage in the Medieval Age presents an overview of the period with essays on Courtship and Ritual; Religion, State and Law; Kinship and Social Networks; the Family Economy; Love and Sex; the Breaking of Vows; and Representations of Marriage.

A Cultural History of Western Empires in the Modern Age covers the period from 1918 to the present. Through the lens of the political and international events shaping the period, the introduction traces the gradual demise of the cultural importance of European empires and the emergence of the United States as the predominant cultural model. The following eight chapters of the volume, authored by a diverse range of experts, highlight different aspects of this cultural shift while indicating the historiographical controversies and conceptual developments that shaped the century-long evolution related to each of the specific topics.This richly-illustrated and accessible volume provides deep historical context to the rise of the US as a major cultural force in the modern era. In so doing, it gives the reader a backdrop to the shift of Western empire from the European model of 18th and 19th century imperialism, to the emergence of the US as a cultural hegemon. A feature of contemporary geopolitics that continues to play a key role in the dynamics of cultural exchange and influence playing out on the world stage today.This is volume 6 in the Cultural History of Western Empires set.

Between 1800 and 1920, the territory and influence claimed by Western empires came to cover a larger portion of the globe than at any time before or since. Why and how did this happen? What were the consequences of this unprecedented scramble for dominion? What methods have historians used to understand the increasingly large and structurally complex Western empires that emerged across the long 19th century?In this fifth volume, A Cultural History of Western Empires in the Age of Empire, we trace these questions across a period bookended by two devastating global wars. The forces that enabled unparalleled Western expansion were likewise violent. Often no less traumatically, the phenomenon was also one of cultural exchange and negotiated identities in which both colonized and colonizer were repeatedly made and remade. As cultural historians we locate the power struggles of empire as much in identity and ways of life as in the movement of armies or the signing of treaties. New technologies of communication, transport and warfare brought an 'Age of Empire' into existence for the West. But it was equally grounded in new ways of thinking about human difference and new beliefs about the state's power to intervene in the most intimate domains of human behavior.

This fourth volume of A Cultural History of Western Empires explores the intersections and transformations of empire in the late 17th and 18th centuries: an age of "Enlightenment" understood here both as a product of these new forces and as a matrix shaping their emergence and development. As innovative ideas transformed warfare, commerce and agriculture, the great "universal" empires confronted new capitalist forces that both splintered and reinforced imperial relations across the globe. Dutch, English and French trading companies backed by state power increasingly overtook the imperial ascendency of Spain and Portugal, while Ottoman and Russian territorial expansion slowed or halted. Commodities and capital circulated in new ways, along with people and ideas, yet that mobility was hardly a free exchange. The new forces found their first great expression in the global trade in human labour that transformed communities, environments and social relations in Europe, Africa and the Americas.Above all, A Cultural History of Western Empires in the Age of Enlightenment reveals the profound imprint left by the Atlantic slave trade on global conceptions of race, sexuality and power, and the burgeoning imperial rivalry, resentment and resistance that contributed to the explosion of revolutionary change at the end of the 18th century.

European overseas trade and diplomacy in some parts of the world went hand in hand with colonization and conquest in others areas. As the introduction to this third volume explains, and the eight expertly written chapters assembled here detail, these were not divergent but intricately connected activities. Through detailed attention to Renaissance literature, travel books, political, scientific and commercial writing, they show how European contact with Asia, the Americas and Africa spurred innovations in warfare, seafaring, and accounting. Demanding the creation of international law, and new labour practices at home and abroad, this contact overhauled previous conceptions of nature, race and sexuality and shaped debates on religion, politics, and power. Renaissance culture, in all its diversity and dynamism, was both the midwife of empire and its progeny.A Cultural History of Western Empires in the Renaissance offers a new understanding of Renaissance culture, commonly understood as a blooming of arts, literature, philosophy, politics, commerce and science that together marked a high point of Western civilization and laid the foundation stone of modernity. It shows that this "rebirth" is organically connected to the processes by which Spain, the Italian states, France, England, and the Netherlands tried to establish their first overseas empires.

This volume explores a world that thought deeply about imperial power and emperors but one that perhaps never had an "empire" of its own. These synthetic essays from experts across a wide variety of disciplines mine the intellectual world of this period and begin to demolish the myth of the so-called "Dark Ages," showing how the European Middle Ages were illuminated by vigorous debates that echo today. The story of medieval Western empires is both familiar and foreign. It is a story about politics, culture, religion, society, gender, sex, and economics, and how porous the boundaries between those categories can often be.A Cultural History of Western Empires in the Middle Ages offers a detailed and highly-illustrated account of how we got to where we are, as well as the dangers of not fully understanding why those origins matter.

This volume provides an overview of some of the salient aspects of emotions and their role in life and thought of the Greco-Roman world, from the beginnings of Greek literature and history to the height of the Roman Empire. This is a wide remit, dealing with a wide range of sources in two ancient languages, and in the full range of contexts that are covered by the format of this series. The volume's chapters survey the emotional worlds of the ancient Greeks and Romans from multiple perspectives - philosophical, scientific, medical, literary, musical, theatrical, religious, domestic, political, art-historical and historical. All chapters consider both Greek and Roman evidence, ranging from the Homeric poems to the Roman Imperial period and making extensive use of both elite and non-elite texts and documents, including those preserved on stone, papyrus and similar media, and in other forms of material culture. The volume is thus fully reflective of the latest research in the emerging discipline of ancient emotion history.

During the period of the Baroque and Enlightenment the word "emotion", denoting passions and feelings, came into usage, albeit in an irregular fashion. "Emotion" ultimately emerged as a term in its own right, and evolved in English from meaning physical agitation to describe mental feeling. However, the older terminology of "passions" and "affections" continued as the dominant discourse structuring thinking about feeling and its wider religious, political, social, economic, and moral imperatives. The emotional cultures described in these essays enable some comparative discussion about the history of emotions, and particularly the causes and consequences of emotional change in the larger cultural contexts of the Baroque and Enlightenment. Emotions research has enabled a rethinking of dominant narratives of the period-of histories of revolution, state-building, the rise of the public sphere, religious and scientific transformation, and more. As a new and dynamic field, the essays here are just the beginning of a much bigger history of emotions.