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Honoring the work of W. Barnett Pearce, this volume of 16 essays explores various applications of the theory of the Coordinated Management of Meaning. It anticipates futures in many areas of the communication field.

The book is a handbook of cultural discourse analysis, a theory developed by Donal Carbaugh, and celebration of his work. The book features an explanation of the theory and sixteen chapters using the theory to examine communication issues across the globe

Beyond its elucidation and critique of traditional ';notation-centric' musicology, this books primary emphasis is on the negotiation and construction of meaning within the extended musical multimedia works of the classic British group Pink Floyd. Encompassing the concept albums that the group released from 1973 to 1983, during Roger Waters' final period with the band, chapters are devoted to Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977), The Wall (1979) and The Final Cut (1983), along with Waters' third solo album Amused to Death (1993). This books analysis of album covers, lyrics, music and film makes use of techniques of literary and film criticism, while employing the combined lenses of musical hermeneutics and discourse analysis, so as to illustrate how sonic and musical information contribute to listeners' interpretations of the discerning messages of these monumental musical artifacts. Ultimately, it demonstrates how their words, sounds, and images work together in order to communicate one fundamental concern, whichto paraphrase the music journalist Karl Dallasis to affirm human values against everything in life that should conspire against them.

This book deepens our understanding of the human capacity to produce and share meaning by exploring the intersection of American pragmatism and European philosophy in the conscious experience of communication and culture, highlighting the contributions of C. S. Peirce, John Dewey, Gregory Bateson, and Pierre Bourdieu to communicology.

Cosmopolitanism and the Development of the International Criminal Court examines a set of prominent discourses and events that emerged in the context of the development and establishment of the International Criminal Court (ICC). The analysis shows state and nonstate actors' competing commitments to cosmopolitanism and national identity.

This book introduces the framework of aesthetic ecology to communication studies as well as the study of communication ethics underlining the importance of the interplay between our sensuous and interpretive engagements in/with the world.

Carl Theodor Dreyer was a visionary director whose films were based less on his screenplays than on his preconceptions, his complete formal, aesthetic cinematic projections of the films he deputized actors, cinematographers, and crew to produce. Cinematography of Carl Theodor Dreyer examines the life and work of a brilliant director and visionary.

How Non-being Haunts Being explores the many different modes of absence and non-being that pervade life, language, thought, and culture. A highly readable book of great interest to a wide audience, it ensures that readers will never think of life, death, or themselves, the same way again.