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Don't Whisper Too Much was the first work of fiction by an African writer to present love stories between African women in a positive light. Bona Mbella is the second. In presenting the emotional and romantic lives of gay, African women, Ekotto comments upon larger issues that affect these women.

These essays reflect on national and transnational legacies of African American activism as an element of artistic practice, particularly as they concern artistic expression and race relations, and the intersections of creative processes with economic, sociological, and psychological inequalities.

Catastrophic Bliss contemplates the longing to understand connections and disconnections within a world ever more fragmented yet interdependent. With allusions to Dante, Stevie Wonder, Fernando Pessoa, Persephone and Marianne Moore, these poems move from the tumultuous to the sublime: a pit bull killing an invading thief, two people on a New York City subway playing chess, Billy Eckstine recording in Rio de Janeiro, to an imagined Barack Obama writing poems to his father. Myronn Hardy's third collection comprises war, place, love, and history all yearning to be reconciled.

Toni Morrison's wooded and verdant clearing, a central trope in her novel Beloved, is the model for this book. The collection is a distinctive review, examination, and (re)discovery of Morrison's work and cultural impacts as defined by emerging and acclaimed artists, scholars, and public figures.

Toni Morrison's wooded and verdant clearing, a central trope in her novel Beloved, is the model for this book. The collection is a distinctive review, examination, and (re)discovery of Morrison's work and cultural impacts as defined by emerging and acclaimed artists, scholars, and public figures.

Venus of Khala-Kanti is a tale of life-altering loss and mystical recovery. Set in an imaginary West African village that becomes a charming cul-de-sac, the unintended consequence of a national roadwork project gone awry, the story follows characters drawn with humor, irony, and empathy. The heart of the story beats with the laughter and tears of three women. Having faced incredible hardship, they come together to build their lives anew, armed with the age-old spirit of human resilience, understanding, and tenderness. Tapping into the very soil of Khala-Kanti, Bella, Assumta, and Clarisse construct spaces, both internal and external, where they and others can rejuvenate their bodies, minds, and spirits. They build the Good Hope Center, which embraces both the physical and the mystical landscape of the story. The Center fuels the restoration and growth of the village's inhabitants, and offers sanctuary for those who visit and those who stay.

In Media Res is a collection of critical essays and creative works that wrestle with key issues in twenty-first-century popular culture, including race, technology, gender, media, and politics. Its scope and coverage of a wide range of popular issues make this book a powerful introduction to popular culture studies in the contemporary moment.

Postracial America? argues that the notion of "postracial" does not begin with the election of Barack Obama, nor will it end with his administration. The "postracial" is an expression of the protean nature of white supremacy in America, and the articles collected here demonstrate the variations of this seemingly innocuous and salutary expression.

These essays reflect on national and transnational legacies of African American activism as an element of artistic practice, particularly as they concern artistic expression and race relations, and the intersections of creative processes with economic, sociological, and psychological inequalities.