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This study argues that the gist and movement of the prophecy in the book of Amos can be attributed to Amos himself, who composed a coherent cycle of poetry. The text uses Amos to show that prophecy originated in the performing arts but was later transformed into history and biography.
This book aims to demonstrate that "Primary History", the historical work contained in the first nine books of the Hebrew Bible (Genesis-2 Kings), was written as one unitary work, in deliberate emulation of the Greek-language Histories of Herodotus of Halicarnassus (completed circa 440 BCE).
This monograph examines the translation technique of the Septuagint of Jeremiah 32 and the nature of the variations between Greek and Hebrew versions of its text.
Compares perspectives from critical methodologies in Old Testament study with perspectives from the history of interpretation of key Old Testament political texts. This book considers the problem of the particularity of the Old Testament, both in general and in relation to New Testament universality.
Analyses texts on social justice in the Old Testament and argues that despite their ideological character they may still assist in shaping a Christian theological approach to social and global injustice. This book offers reflections on the value of the Old Testament as a resource in the struggle for justice.
The Old Testament, and biblical scholarship itself, distinguishes between mythical and historical. This book argues that only historical thing in the Bible is the Bible itself, a superb product of Jewish thought. What is narrated in the Bible is only myth.
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