Bøker i The Pride List - (Seagull Titles - CHUP)-serien

What does it take to succeed as a queer teenage Eastern European sex worker in the 1990s? Eleven inches and a ruthless attitude. Western Europe, shortly after the fall of the Berlin Wall: Two queer teens from Eastern Europe journey to Vienna, then Zurich, in search of a better life as sex workers. They couldn‿t be more different from each other. Milan, aka Dianka, a dreamy, passive naïf from Slovakia, drifts haplessly from one abusive sugar daddy to the next, whereas MichaÅ¿, a sanguine pleasure-seeker from Poland, quickly masters the selfishness and ruthlessness that allow him to succeed in the wild, capitalist West‿all the while taking advantage of the physical endowment for which he is dubbed “Eleven-Inch.â€? By turns impoverished and flush with their earnings, the two traverse a precarious new world of hustler bars, public toilets, and nights spent sleeping in train stations and parks or in the opulent homes of their wealthy clients. With campy wit and sensuous humor, MichaÅ¿ Witkowski explores in Eleven-Inch the transition from Soviet-style communism to neoliberal capitalism in Europe through the experiences of the most marginalized: destitute queers.Â

Two plays about the legal battle to decriminalize homosexuality in India. On September 6, 2018, a decades-long battle to decriminalize queer intimacy in India came to an end. The Supreme Court of India ruled that Section 377, the colonial anti-sodomy law, violated the country's constitution. "LGBT persons," the Court said, "deserve to live a life unshackled from the shadow of being 'unapprehended felons.'" But how definitive was this end? How far does the law's shadow fall? How clear is the line between the past and the future? What does it mean to live with full sexual citizenship? In Love and Reparation, Danish Sheikh navigates these questions with a deft interweaving of the legal, the personal, and the poetic. The two plays in this volume leap across court transcripts, affidavits (real and imagined), archival research, and personal memoir. Through his re-staging, Sheikh crafts a genre-bending exploration of a litigation battle, and a celebration of defiant love that burns bright in the shadow of the law.

"Those who know me call me Old He, and they also know that I've worked in a crematorium for my entire life." Here begins Mu Cao's novel In the Face of Death We Are Equal, an unrelentingly realistic portrait of working-class gay men in the underbelly of Chinese society. He Donghai is days away from his sixtieth birthday and long-awaited retirement from his job as a corpse burner at a Beijing crematorium. As he approaches the momentous day, he reflects on his life and his relationship with a special group of young men who live and love on the margins of Chinese society. One of them is Ah Qing, a young migrant worker who leaves his village in Henan Province to earn a living in cities--and who has an unexpected personal connection to He. Through a disrupted and nonlinear narrative technique, and alternating between first, second, and third person, In the Face of Death We Are Equal tells the story of Ah and other young men like him. Sometimes enraging, often humorous, but always powerful, this novel explores the economic and sexual exploitation of young men and women from China's impoverished countryside who seek survival in the shadow of China's economic "miracle." Deftly translated by Scott E. Myers, it is the first title in Seagull's new Pride List, which showcases important queer writing from around the world. Written in Mu Cao's trademark earthy, sometimes graphic, idiom, In the Face of Death We Are Equal will be a valuable addition to queer and Chinese literature in translation.

In 1950s France, Camille struggles to figure out who she is and where she fits in the world of her coastal working-class neighborhood. Her mother holds the family together, with the support of a group of women who talk over coffee and cigarettes each day. Her father, a war veteran, is largely silent except when his inner rage erupts in violence. Her sister, Ariane, provides comic relief, while her construction worker brother, Abel, is a lost soul who suffers from severe seizures. Camille herself can usually be found curled up with a book, observing everything. But an intellectual and sexual relationship with her dentist's wife opens a world of new possibilities to Camille. Where will this lead her? Suicide, murder, accidental death--all are possible in this unconventional narrative from Mireille Best. As a young adult, Camille is not always the most reliable narrator, but she charms with her intelligence, lack of pretention, and strong connection to her roots. Through Camille's eyes, we embark on a fundamental and universal quest to balance where we come from with who we need to become.