Bøker i Theory / Culture-serien

Drawing on the works of a wide range of authors, including Proust, Tolstoy, Woolf, Lorca, Solzhenitsyn, and Fowles, Vald�s explores the phenomenon of truth-claims from two perspectives: textual semantics and hermeneutics.

A study of the interactions between poetry and painting in the 20th century, particularly the Cubist painters and the writers who were associated with them, and the later movement of Concrete Poetry.

An important interdisciplinary study, that establishes a general theory that accounts for the varieties of body language encountered in literary narrative, based on a general history of the phenomenon in the English language.

Paul Ricoeur is one of the most important modern literary theorists and a philosopher of world renown. This collection brings together his published articles, papers, reviews, and interviews that focus on literary theory and criticism.

O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Grass, Johnson, Handke, and Bernhard.

Vald s gives his views of literature, cinema, and art to unravel what he calls, 'the imaginative configuration of the world, the cultural phenomenon of making sense, poetic sense, of life.'

Examines the representation of masculinities in the work of some of Canada's most exciting writers, including Michael Ondaatje, and Rohinton Mistry, to show how cross-cultural migration disrupts assumed codes for masculine behaviour and practice.

Using historical and feminist psycho-linguistic studies as a base, Ty explores some of the complexities encountered in the writings of Mary Wollstonecraft, Mary Hays, Helen Maria Williams, Elizabeth Inchbald, and Charlotte Smith

McLuhan, or Modernism in Reverse thus aims to retrace and synthesize McLuhan's work in order to illuminate his unexpected meaning and value for critical practice today.

A sophisticated analysis of Canadian literary writing and its role in national culture that 'worries' over the possibility of a national literature when the very idea of the nation as a viable conceptual/literary category has been called into question.

Marlene Kadar has brought together an interdisciplinary and comparative collection of critical and theoretical essays by diverse Canadian scholars.

O'Neill investigates the extent to which narrative discourse subverts the story it tells in foregrounding its own performance.