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Feminist scholars from around the world on key debates and concerns ranging from motherhood, home, and family to media, technology, and medicine.This thought-provoking book is written by prominent feminist scholars from around the world. It is engaging and accessible, distilling the highest level of knowledge into fascinating but concise entries. This Is Not A Feminism Textbook offers a clear, straightforward overview of key feminist debates and concerns ranging from motherhood, home, work and family to media, technology, and medicine. This book is a must-read for everyone who is curious about the sex/gender distinction, and the relation between gender and other aspects of identity; and it tackles plenty more questions along the way. Are smart homes really smart? Will technology save the world? What does class have to do with feminism? And what does ‘intersectionality’ actually mean? The work of feminism to help create a more just and equal society is not yet done. This book provides a roadmap to inspire each and every reader to continue exploring, thinking about, discussing, and ‘doing’ feminism. ContributorsCelia Roberts, Amber Jamilla Musser, Simidele Dosekun, Sara R. Farris, Chiara Pellegrini, Cynthia Barounis, Suzanne Leonard, Yolande Strengers, Heather Berg

Science fiction as a vital bridge between technoscience and culture, an early warning system, a method for imagining differently.In the new millennium, science fiction has moved from the margins to the mainstream. At the same time, it has undergone massive transformations. No longer can it be derided as indigestible technobabble or escapist trash or a white man’s playground—not that it ever really was. Sf is rich and diverse, serious, and fun. A vital bridge between technoscience and culture, it is an early warning system, a method for imagining differently, and a way of experiencing our increasingly science-fictional world. It is the vernacular of the 21st century. This Is Not A Science Fiction Textbook brings together leading sf scholars, including some of the most exciting new critical voices, to introduce the genre for the general reader. Its first part outlines some key ideas used to think about sf, such as Estrangement, Extrapolation, and Alterity. Its second part maps some of the genre’s global history, from the Enlightenment and European colonialism to Indigenous and African Futurisms. Its third part surveys sf at the turn of the 2020s, organised by concepts, movements and new academic disciplines, from Afrofuturism and Animal Studies to Queer Theory and the Weird—and each chapter, whether it is on Climate Fiction or Neurodiversity, is accompanied by an introduction to a major contemporary novel and film.