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Subverting assumptions that American musical theatre is steeped in nostalgia, cheap sentiment, misogyny, and homophobia, this book shows how musicals of the 1950s and early 1960s celebrated strong women characters who defied the era's gender expectations.
20 years after Paris Is Burning, a rare look at Ballroom culture--from the inside
Explores the politics of gender in motion. From drag ballerinas to faux queens, and from butoh divas to the club mothers of modern dance, this book delves into four decades of drag dances on American stages, tracing the ways in which bodies can be imagined otherwise.
Focuses on queer and trans people of colour who apprehend the risky medium of the night to explore, know, and stage their bodies, genders, and sexualities in the face of systemic and social negation.
Focuses on drag and transgender performance and activism in Puerto Rico and its diaspora. Arguing for its political potential, Lawrence La Fountain-Stokes explores the social and cultural disruptions caused by Latin American and Latinx 'locas' and the various forms of violence that queer individuals in Puerto Rico and the US are subjected to.
Focuses on the queer embodiments that both reveal and animate the gaps between South Africa's self-image and its lived realities. The book argues that performance has become a key location where contradictions inherent to South Africa's post-apartheid identity are negotiated.
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