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As if convinced that all divination of the future is somehow a revisioning of the past, Kwame Dawes reminds us of the clairvoyance of haunting. The lyric poems in City of Bones constitute a restless jeremiad for our times, and Dawes's inimitable voice peoples this collection with multitudes of souls urgently and forcefully singing, shouting, groaning, and dreaming.

A group of Americans in Venice encounter an Ezra Pound-like sculptor.