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In Language and Reality, originally published in S\u00e3o Paulo, Brazil, in 1964, Vil\u00e9m Flusser continues his philosophical and theoretical exploration into language. He begins to postulate that language is not simply a map of the world but also the driving force for projecting worlds and enters then into a feedback with what is projected.Flusser\u2019s thesis leads him to claim, in a seemingly missed encounter of a dialogue with Wittgenstein, that language is not limited to its ontological and epistemological aspects but rather is at the service of its aesthetic. Traversing a diverse area of research and ruminations on cybernetics to poetry, music, the visual arts, religion, and mysticism, Language and Reality can be viewed as a vital transitional work in Flusser\u2019s emerging thought that will eventually lead to his works in the 1970s and 1980s concerning what we would later consider media theory, design, and digital culture.

How is it that when we think of time, we hardly think of the role affect plays in granting us access to time: the sense of waiting, regret, mourning, melancholy? In Powers of Time, David Lapoujade returns to two central themes that continuously converge throughout the writings of the French philosopher Henri Bergson: durée (duration) and intuition. If duration is synonymous with memory, how are we then capable of thinking an authentic sense of the future? Does this mean that freedom is nothing more than a reprisal of our past?Lapoujade uncovers multiple versions of Bergson: a philosopher of sympathy, a melancholic philosopher, a perspectivist Bergson, a spiritualist Bergson. Leading us beyond simplistic anthropomorphic conceptions of temporality and intuition, Lapoujade''s multiple Bergsons guide us to encounter a rapport with time, memory, and duration that places us in direct contact with the nonhuman flows and movements of the universe.

François Laruelle is professor emeritus at the University of Paris West Nanterre La Défence and the inventor of the science of philosophy, non-philosophy.

Gilbert Simondon (1924–1989)¿was a French philosopher of technology whose work continues to attract new interest within a variety of academic fields.

"Originally published in French as Survivances des lucioles, copyright 2009 by Les aEditions de Minuit . . . Paris"-- Verso title page.

Those who are mad like Antonin Artaud, are they just as mad as he was? Madness, like the plague, is contagious, and everyone, from his psychiatrists to his disciples, family, and critics, everyone who gets close to Artaud, seems to participate in his delirium. Sylv\u00e8re Lotringer explores various embodiments of this shared delirium through what Artaud called \u201cmental dramas\u201d—a series of confrontations with his witnesses or \u201cpersecutors\u201d where we uncover the raw delirium at work, even in Lotringer himself. Mad Like Artaud does not intend to add one more layer of commentary to the bitter controversies that have been surrounding the cursed poet\u2019s work since his death in 1948, nor does it take sides among the different camps who are still haggling over his corpse. This book speaks of the site where \u201cmadness\u201d itself is simmering.