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This modern, critical reading of ""Fors Clavigera"" places this classic work in the context of its Victorian contemporaries, such as art journals and popular criticism. By recreating the intellectual climate, this work demonstrates the sense of cultural crisis and change evident at the time.
British social critics in the Romantic tradition stigmatized industry as a threat to aesthetic ""culture"". Bizup argues that early Victorian advocates of industry sought to resist the power inherent in this opposition by portraying automatic manufacture itself as a cultural force or agent.
Sarah Emily Davies (1830-1921) lived and crusaded during a time of profound change for education and women's rights in England. Much of the social change that Davies witnessed was discussed, encouraged and elicited through her personal correspondence. Her letters are collected here.
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.