Utvidet returrett til 31. januar 2025

Bøker i Writers and their Work-serien

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  • - The Plays of Massinger, Ford, Shirley, Brome
    av Julie Sanders
    292,-

    In this study Julie Sanders reveals the concern that the public theatre playwriting of Massinger, Ford, Shirley and Brome had towards issues of community and hierarchy in the decades leading up to the English Civil Wars.

  • av Janet Beer
    382,-

    Professor Beer's study provides an introduction to the whole range of Edith Wharton's work in the novel, short story, novella, travel writing, criticism and autobiography.

  • av John Lucas
    410,-

    Drawing on biographical information, letters, reminiscences and anecdotes, John Lucas pieces together Gurney's difficult, indeed tragic life, in order to show that Gurney's poetry, while undoubtedly affected by his mental problems, his trench experiences in World War One, and his complex relationship to Gloucester, the Cotswalds and London, is the sane utterance of a deeply radicalized writer.

  • av Prof. Steven Connor
    296,-

    Steven Connor's book is an animated, accessible critique to the whole range of Joyce's work, from Dubliners through to Finnegans Wake. It contains a revised bibliography and critical evaluation, taking account of the ever-rowing corpus of literary criticism of Joyce and his work.

  • av Mark Batty
    291,-

    This book offers a critical examination of Harold Pinter's dramatic writing over four decades, from The Room (1957) to Celebration (2000), emphasising the worth of the plays as pieces written for performance, investigating their status as dramatic (as opposed to literary) texts.

  • av Dr Simon Avery
    296,-

    In this study, Simon Avery considers a range of Elizabeth Barrett Browning's poems, drawn from across her career, in order to examine the concern with the search for a meaningful home which underpins much of her writing.

  • av Janet Clare
    1 239,-

    In this study of revenge tragedies - notably by Thomas Kyd, William Shakespeare, Thomas Middleton, John Marston and John Webster - Janet Clare suggests that genres are not passively inherited, but made and re-made every time a new play is performed.

  • av Andrew Thacker
    296,-

    The Imagist Poets revises the received view of Imagism by drawing upon current re-readings of modernism in terms of gender and sexuality, cultural geography, and the idea of literary institutions and formations.

  • - From Clara Reeve to Mary Shelley
    av E.J. Clery
    285,-

    E.J. Clery's analyses women's gothic in the light of the contemporary fascination with the operation of the passions and tragedy.

  • av Kevin McCarron
    292,-

    This is a comprehensive study, questioning Lord of the Flies' status as Golding's most popular and important work and giving prominence to The Inheritors, Pincher Martin, The Spire and The Sea Trilogy.

  • av Peter Mudford
    291,-

    This study concentrates on Graham Greene's achievements as a novelist whose work spanned more than sixty years, and was translated into forty languages.

  • av Uwe Schutte
    349 - 1 239,-

    This accessible critical introduction, written by a leading expert, highlights W.G. Sebald's double role as writer and academic.

  • av Julian Stannard
    1 239,-

    This study explores Basil Bunting's poetry position as a point of inspiration for younger poets, and describe the ways in which it acts as a platform to show that Anglo-American modernism was not incompatible with native traditions.

  • - Abercrombie, Brooke, Drinkwater, Lascelles, Thomas
    av Dr. Rennie Parker
    291,-

    This introductory study helps to set the Georgians in their original context, and revises the critical balance in favour of three lesser known writers whose contribution to early twentieth-century letters was viewed as significant before the 1930s.

  • av Robert Miles
    458,-

    In this study, Robert Miles argues that many of the reasons for Austen's construction as an English Cultural icon are to be found in the works' formal qualities, and often in her most innovative techniques.

  • - from Chartism to Trainspotting
    av Ian Haywood
    291,-

    A comprehensive introduction to working-class literature over the last 150 years.

  • av Stevie Davies
    458,-

    This lucid and perceptive study subjects the Emily Bronte myth to radical scrutiny, questioning the validity of memorabilia and eye-witness accounts.

  • - From Wyatt to Milton
    av Michael Spiller
    291,-

    This book provides a clear account of the development and the scope of the sonnet form in Britain.

  • av Dr. Germaine Greer
    296,-

    This account of Wilmot's work strives to place it in its socio-political context and describe the way the poet and his work were co-opted after his premature death to serve contrasting political agendas.

  • av Laura Marcus
    284,-

    In the new edition of her highly regarded study, Laura Marcus examines a wide range of Virginia Woolf's novels, short stories, essays and autobiographical writings in the context of themes and topics of central contemporary relevance and interest: time, history and narrative;

  • av Susan Bassnett
    458,-

    This study explores Hughes' lifelong concern for language and his use of mythology and history, while examining his poetic achievements, together with his writing for children and his experiments with forms of theatre.

  • av John Lucas
    291,-

    John Lucas's unique volume reveals a knowing and articulate poet writing as an essentially oral artist.

  • av Kelvin Everest
    275,-

    This book offers the intelligent new reader a critically evaluative guide to Keats's major poems and letters.

  • av Marion Wynne-Davies
    338,-

    This book offers a comprehensive overview of Margaret Atwood's poetry, novels, shorter fiction, children's books, criticism and experimental multi-genre work.

  • av S.J. Wiseman
    458,-

    This is a fascinating critical study of the work of Aphra Behn, probably the most inventive and original woman writer of the 17th century.

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