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Examines the parallel histories of modern art and modern music and examines why one is embraced and understood and the other ignored, derided or regarded with bewilderment, as noisy, random nonsense perpetrated by, and listened to by the inexplicably crazed.

Militant Modernism is a defence against Modernism's many detractors. It looks at design, film and architecture - especially architecture - and pursues the notion of an evolved modernism that simply refuses to stop being necessary. Owen Hatherley gives us new ways to look at what we thought was familiar - Bertolt Brecht, Le Corbusier, even Vladimir Mayakovsky. Through Hatherley's eyes we see all of the quotidian modernists of the 20th century - lesser lights, too - perhaps understanding them for the first time. Whether we are looking at Britain's brutalist aesthetics, Russian Constructivism, or the Sexpol of Wilhelm Reich, the message is clear. There is no alternative to Modernism.

This short book is partly an attack on the apparent abdication of any systematic political thought on the part of today's positive, up-beat feminists. It suggests alternative ways of thinking about transformations in work, sexuality and culture that, while seemingly far-fetched in the current ideological climate, may provide more serious material for future feminism.

Contains essays which demonstrate that writing on popular culture can be both thoughtful and heartfelt. It includes Barney Hoskyns' classic "NME" piece written at the time of "Thriller".

To live well in the world one must be able to enjoy it: to love, Freud says, and work. Dejection is the state of being in which such enjoyment is no longer possible. There is an aesthetic dimension to dejection, in which the world appears in a new light. This book examines the dark serenity of dejection through a study of the poetry.