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Presents analysis of occult iconography in many of the masterpieces of Western art - from the astrological symbols that decorated churches and illuminated manuscripts, through the work of a range of Renaissance artists, including Bosch, Brueghel, Durer and Caravaggio, to the visionary works of nineteenth-century artists, such as Fuseli and Blake.

In the margin, for quick access by the reader, is a summary of the essential characteristics of the symbol in question, the derivation of its name, and the religious tradition from which it springs.