Bøker av Aaron Betsky

An affordably priced, complete retrospective of one of the world's greatest architects, covering her work from the earliest experimentations to the very last projects she worked on before her death in 2016.

"A survey history of architectural theory since 1900, with an emphasis on the applicability of such ideas to other disciplines in the visual arts"--

The long-awaited monograph on the Turner Prize-winning multidisciplinary architecture collective Assemble, gathering more than a decade of their groundbreaking collaborative work. Architecture collective Assemble has transformed the definition of a successful young practice by working on temporary, small-scale, community-based projects, often reusing sites and materials. Described by architecture critic Edwin Heathcote as 'young, widely admired and increasingly influential', they are the future of architecture and the antithesis of the faceless, corporate juggernaut. This retrospective of the first decade or so of Assemble's dynamic work, organized according to project type, highlights how their methods, working practices, interest in craft and building, and focus on reuse and material choices set them apart from other architecture practices. Based on extensive interviews with partners, the group's archives and documentation of their projects, and itself a collaborative labour of love, the book draws together nearly forty major pieces of work through stunning photography, drawings and text. Their projects range as widely as Granby Four Streets - a community-led project to rebuild a derelict neighbourhood in Liverpool - to a brewery in rural Japan and a train depot renovation in Arles. Providing an essential overview of the group, from their self-initiated temporary projects to their meteoric rise to international acclaim, Aaron Betsky explores how Assemble's playful and subversive buildings have forged a pioneering new model of progressive architecture that continues to challenge the establishment.

In a time of climate crisis and housing shortages, a bold, visionary call to replace current wasteful construction practices with an architecture of reuseAs climate change has escalated into a crisis, the reuse of existing structures is the only way to even begin to preserve our wood, sand, silicon, and iron, let alone stop belching carbon monoxide into the air. Our housing crisis means that we need usable buildings now more than ever, but architect and critic Aaron Betsky shows that new construction—often seeking to maximize profits rather than resources, often soulless in its feel—is not the answer. Whenever possible, it is better to repair, recycle, renovate, and reuse—not only from an environmental perspective, but culturally and artistically as well.Architectural reuse is as old as civilization itself. In the streets of Europe, you can find fragments from the Roman Empire. More recently, marginalized communities from New York to Detroit—queer people looking for places to gather or cruise, punks looking to make loud music, artists and displaced people looking for space to work and live—have taken over industrial spaces created then abandoned by capitalism, forging a unique style in the process. Their methods—from urban mining to dumpster diving—now inform architects transforming old structures today.Betsky shows us contemporary imaginative reuse throughout the world: the Mexican housing authority transforming concrete slums into well-serviced apartments; the MassMOCA museum, built out of old textile mills; the squatted city of Christiana in Copenhagen, fashioned from an old army base; Project Heidelberg in Detroit. All point towards a new circular economy of reuse, built from the ashes of the capitalist economy of consumption.

Shows how XRANGE's unconventional architecture places an emphasis on systemization and tactility.

This installment of the Oscar Riera Ojeda Masterpiece Series focuses on Fort 137 by Daniel Joseph Chenin. Set in a remote location to the west of Las Vegas, Nevada, the brief was for a residence that established a direct connection to its surroundings in a sustainable, environmentally-friendly manner using locally-sourced materials as much as possible. In response, Chenin produced an open structure divided into three different levels with each volume carefully placed to be read as a series of rock masses and also to protect against the harsh sun and wind while also offering uninterrupted views of the surrounding landscape. This book provides a privileged glimpse into the conception and execution of this superlative structure with a text by the renowned architectural critic Aaron Betsky, an interview with the architect, sumptuous photography by Stetson Ybarra, XXXX and XXXX, illuminating drawings, diagrams and layouts. An homage to the forts built when the area was first being settled, the building sits resplendently alone in the tranquility of the landscape: truly a modern masterpiece.

She has revolutionized design