Bøker av Adrian Poole

This collection of essays reprints previously published writings about Trinity College Cambridge's most celebrated writer, Lord Byron, for the bicentennial commemoration of his death on 19 April 1824. Bringing together diverse contributions from a series of scholars, three of them fellows of Trinity College, it explores various aspects of Byron's life and writing. The collection draws out the relationships between 'memorials, marbles and ruins', themes always prominent in his thinking and feeling.The earliest essay reprinted here dates from the bicentenary of Byron's birth in 1788. Thirty-six years and two centuries later, this collection honours a figure of enduring, complex significance, with whom Trinity College is proud to be associated. It will be of value to scholars and students of Byron, as well as those interested in his life, in the bi-centenary year of his death.

Shakespeare provided the Victorians with ways of thinking about the authority of the past, about the emergence of a new mass culture, about the relations between artistic and industrial production, about the nature of creativity, about racial and sexual difference, and about individual and national identity.

Shakespeare provided the Victorians with ways of thinking about the authority of the past, about the emergence of a new mass culture, about the relations between artistic and industrial production, about the nature of creativity, about racial and sexual difference, and about individual and national identity.

Set at the time of the Jacobite uprising, The Master of Ballantrae tells of a family divided. James Durie, Master of Ballantrae, abandons his ancestral home to support the Scottish rebellion - leaving his younger brother Henry, who is faithful to the English crown, to inherit the title of Lord Durrisdeer. But he is to return years later, embittered by battles and a savage life of piracy on the high seas, to demand his inheritance. Turning the people against the Lord, he begins a savage feud with his brother that will lead the pair from the Scottish Highlands to the American Wilderness. Satanic and seductive, the Master was regarded by Stevenson as 'all I know of the devil'; his darkly manipulative schemes dominate this subtle and compelling tragedy.This edition takes as its text the Edinburgh Edition of the novel, the last approved by the author. The introduction considers the novel's inspiration and its place as one of Stevenson's greatest studies in cruelty.