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"... the definitive edition of an essential figure in Black and American theater, spanning from the 1960s to the 2010s and including several works published for the first time."--Provided by publisher.
She Talks to Beethoven, written by pioneering avant-garde playwright Adrienne Kennedy in 1989, offers a layered discourse on politics, revolution and loss. Set in Ghana, Suzanne waits in her room listening to radio broadcasts about her husband who has mysteriously disappeared while she attempts to write about and communicate with composer Ludwig van Beethoven. Her world is infiltrated by snatches of Ghanaian string music, the revolutionary words of Frantz Fanon and strains of Beethoven's
Madame Bovary is the tragic, yet scintillating story of a woman who longed for a life she could never fully achieve. Emma Bovary is a woman who desires the illustrious and romantic world she has only read about in books or observed from afar. As this desire grows, Emma must seek to fulfill it, whatever the cost, in an ultimate quest to become the Madame Bovary of her wildest and most passionate dreams. Telling Emma's story through the eyes of her own daughter, Adrienne Kennedy brings a fr
Kennedy's plays have been said to have transformed the landscape of Black American theatre. "Theatre Mystery" (fiction) and "Theatre Journal" (non-fiction) are two separate yet linked works, presenting an interior monologue that sees character as author coming to terms with author as character.
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