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From a Costa Book of the Year winner, Booker nominee and double Granta-selected Best Young British novelist comes a searing portrayal of trauma, police abuse and the power of hope.Teaching nine-year-olds on Zoom. A relationship interrupted by enforced distance. A teenaged son who cannot leave the house. Anna McCormick is already struggling to cope with the unwanted twists 2020 has served up. But when an unstamped envelope arrives overnight, her past begins to cast its own long shadow on the present.With an uncaring government compounding her woes and a hostile threat drawing closer, Anna must dig deep to keep hope alive for herself and those around her.This is a twisty, heart-racing page-turner and viscerally rendered portrayal of abuse of power by the state, by the police and by the villains much closer to home.
A master-class in the short story, from the Costa Book Award winning author of DayA. Kennedy sees harder than most writers - 'Other humans are very unhappy, but try to seem glad,' one character writes. Kennedy shows - once again - why she is regarded as one of our great writers.
Winston Churchill hated The Life and Death of Colonel Blimp, and tried to have it banned when it was released in 1943. But Martin Scorsese, a champion of directors Michael Powell and Emeric Pressburger, considers it a masterpiece. It's a film about desires repressed in favour of worthless and unsatisfying ideals. And it's a film about how England dreamt of itself as a nation and how this dream disguised inadequacy and brutality in the clothes of honour. A. L. Kennedy, writing as a Scot, is fascinated by the nationalism which The Life and Death of Colonel Blimp explores. She finds human worth in the film and the pathos of stifled emotions and unfulfilled lives. 'If he is unaware of his passions, ' she writes of Clive Candy, the film's central figure, 'this is because his pains have become habitual, a part of personality, and because he was never taught a language that could speak of emotions like pain.'.This edition includes a foreword by the author exploring the film's continuing relevance in an age of Brexit, when English and British national identity are deeply contested concepts.
LONGLISTED FOR THE MAN BOOKER PRIZEJon is 59 and divorced: a senior civil servant in Westminster who hates many of his colleagues and loathes his work, he is a good man in a bad world.
Isn't life terrible? Isn't it all going to end in tears? Won't it be good to just give up and let something else run my mind, my life? Something distinctly odd is going on in Arbroath. It could be to do with golfers being dragged down into the bunkers at the Fetch Brothers' Golf Spa Hotel, never to be seen again.
Almost forty and with nothing to show for it, Hannah Luckraft is starting to realise that her lifestyle is not sustainable. From Scotland to Dublin, from London to Montreal, to Budapest and onwards, Hannah travels in search of the ultimate altered state - her paradise.
Useful for readers and aspiring writers, this book contains what they need to know about the complexities of researching, writing and publishing fiction. It features essays on character, voice, writers' workshops and writers' health.
It could be to do with golfers being dragged down into the bunkers at the Fetch Brothers' Golf Spa Hotel, never to be seen again. It might be related to the strange twin grandchildren of the equally strange Mrs Fetch - owner of the hotel and fascinated with octopuses.
You are crossing the Atlantic on a liner with your boyfriend who may or may not be planning to propose. You are fleeing the past - your ex-lover Arthur, the man who helped you dupe the vulnerable into believing loved ones were trying to make contact from beyond the grave.
The dazzling new collection from the Costa Prize-winning author of Day and The Blue Book. She doesn't ever lie to him unless it's for the best. A husband and wife wait for a train as their relationship unspools silently around them.
Offers a collection of short stories that show us exactly what becomes of the broken-hearted. This title reveals the sadness, violence, hurt and terror, and also the redemption and the love.
Alfred Day wanted his war. he found the wild, dark fellowship of his crew, and - most extraordinary of all - he found Joyce, a woman to love. Maybe it took him, too. Now in 1949, employed as an extra in a war film that echoes his real experience, Day begins to recall what he would rather forget...
Bullfighting - the ultimate spectator sport. Acclaimed novelist A. Beyond the theatre, the costume and the well-worn plot she focuses on the fact that a man faces his death while a crowd looks on. The result is a startling confrontation with her own, and mankind's, mortality.
Kennedy's absorbing, moving and gently political first novel dissects the intricate difficulties of human relationships, from Margaret's passionate attachment to her father and her more problematic involvement with Colin, her lover, to the wider social relations between pupil and teacher, employer and employee, individual and state.
The twelve stories in Indelible Acts are variations on a theme of longing - the unassuagable human need for contact, for completion, for that most fugitive gift of all: reciprocal love. In the title story, two lovers confront their lusts amid the ruins of Rome;
While showing us the unlikeliness of intimacy and the impossibility of communication, Kennedy also reveals the subversive liberation of impotence, the humour of discomfort as human beings chafe together, the crazed claustrophobia of the family adn the wildly funny results of an eccentricity unleashed.
Until reality breaks in and Jennifer uncovers the harsh vocabulary of addiction and the addictive extremes of sex. -An alchemical romance, a Swiftian satire for our times, an impossible spiritual journey and a devastating plummet into insanity and perversion, So I Am Glad is oblique, incisive, hilarious and horrific.
The heroes and heroines of Night Geometry and the Garscadden Trains, A. Kennedy's first collection of stories, are small people - the kind who inhabit the silence in libraries, who never appear on screen and who never make the headlines. Often alone and sometimes lonely, her characters ponder the mysteries of sex and death...
Nathan Staples is consumed by loathing and love in roughly equal measures. When Nathan contrives to have Mary invited to the island where he lives in retreat, he sets in motion the possiblity of telling her he is her father, and becoming whole and complete and alive again.
The stories collected in Original Bliss are concerned, appropriately, with the complexities of sex and the lack of it. She can't find it at home, with the violent, deadly Mr Brindle, but will she find it in Stuttgart when she meets the enigmatic Edward E.
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