Bøker av Alain Badiou

The author takes on contemporary 'dating agency' conceptions of love that come complete with zero-risk insurance. He develops a new take on love that sees it as an adventure, and an opportunity for re-invention, in a constant exploration of otherness and difference that leads the individual out of an obsession with identity and self.

Alain Badiou's 1985 seminar on Parmenides initiated his ongoing dialogue with the pre-Socratic philosopher and set out some of the foundational ideas of his own major philosophical works, including Being and Event.

Images of the Present Time presents nearly three years of Alain Badiou's seminars, held from 2001 to 2004, which consider the relationship between philosophy and notions of "the present."

Alain Badiou began the twenty-first century by considering the relationship between philosophy and notions of "e;the present."e; In this period of his ongoing annual lecture series, the acclaimed philosopher took up the existential problem of how to be contemporary with one's own time-that is, how to not simply inhabit a passing moment but bring a real present into existence.Images of the Present Time presents nearly three years of Badiou's seminars, held from 2001 to 2004, partly against the backdrop of the war in Iraq. Given while Badiou was writing Logics of Worlds, the second of the three volumes of Being and Event, these lectures address some of the same questions of existence in a particular world in a more personal and conversational tone, with reference to literature, philosophy, and contemporary politics and culture. He proposes a new concept of living in a real present as the twisting together of something from the past and something of the future.Featuring some of the philosopher's most inspiring and approachable work, Images of the Present Time is an important book for all readers interested in the practical as well as conceptual possibilities of Badiou's thought.

The transcript of Alain Badiou's year-long seminar on the psychoanalytic theory of Jacques Lacan, this book offers a forceful reading of an enigmatic yet foundational thinker and sheds light on the crucial role that Lacan plays in Badiou's own thought. It is the first volume of Badiou's seminars to be published in English.

Alain Badiou offers a tour de force encounter with a lesser-known seventeenth-century philosopher and theologian, Nicolas Malebranche, a contemporary and peer of Spinoza and Leibniz. The seminar is at once a record of Badiou's thought at a key moment and a lively interrogation of Malebranche's key text, the Treatise on Nature and Grace.

The eminent French philosopher "dialecticizes” five of the artist Jean-Luc Moulène's objects with five conceptual formations from the history of Western philosophy.In this unique essay, first delivered as a lecture during a panel discussion with the artist and philosopher Reza Negarestani, Alain Badiou identifies and "dialecticizes” five of the artist Jean-Luc Moulène's objects with five conceptual formations from the history of Western philosophy. Aristotle's complex of matter and form is called to mind to describe the inner logic of a hard foam sculpture. A bronze statue with holes activates Plato's notion of participation of the concrete world in the "injured Idea of the Beautiful.” A small metallic and incomplete "angel” engages Leibniz's affirmation that "everything that exists is composed of an infinity of things.” Badiou's musings go on to pair a broken and repaired plastic chair with Victor Hugo; a terrible hand made of concrete with the Freudian unconscious; and a large-scale "red and blue monster” with rudimentary mechanisms of the Cartesian cogito, the famous "I think, therefore I am,” with unexpected inversions and variations.Badiou refrains, of course, from claiming that Moulène thinks about any of these philosophers when making his specific works. What he points to, however, in this richly illustrated bilingual volume, is that the artist and his art are "on the side of philosophy.”

In Can Politics Be Thought?-published in French in 1985 and appearing here in English for the first time-Alain Badiou offers his most forceful and systematic analysis of the crisis of Marxism in which he argues for the continuation of Marxist politics.

This book revisits and revises some of the most basic concepts of time in the Judeo-Christian tradition, drawing on St. Paul's writings to rethink a new kind of radical faith in truth as an event, as the advent of the incalculable, a modality that remakes the pairing religious/secular.

The Rational Kernel of the Hegelian Dialectic is the last in a trilogy of political-philosophical essays, preceded by Theory of Contradiction and On Ideology, written during the dark days at the end of the decade after May '68. With the late 1970's "triumphant restoration" in Europe, China and the United States, Badiou and his collaborators return to Hegel with a Chinese twist. By translating, annotating and providing commentary to a contemporaneous text by Chinese Hegelian Zhang Shi Ying, Badiou and his collaborators attempt to diagnose the status of the dialectic in their common political and philosophical horizon. Readers of Badiou's more recent work will find a crucial developmental step in his work in ontology and find echoes of his current project of a 'communist hypothesis'. This translation is accompanied by a recent interview that questions Badiou on the discrepancies between this text and his current thought, on the nature of dialectics, negativity, modality and his understanding of the historical, political and geographical distance that his text introduces into the present.

"Alain Badiou's first major work, Le Concept de modele, originally published in 1969 and long out of print, establishes a solid mathematical basis for a rational materialism, which undermines the implicit assumptions of a predominating 'bourgeois epistemology'. Readers familiar with Badiou will no doubt find within this early text the lineaments of his later radical developments. The translation will be published with an accompanying interview with Badiou wherein he elaborates on the connections between this early work, the subsequent developments and his most recent position"--Provided by publisher.

Published in 1973, "e;L'Etourdit"e; was one of the French philosopher Jacques Lacan's most important works. The book posed questions that traversed the entire body of Lacan's psychoanalytical explorations, including his famous idea that "e;there is no such thing as a sexual relationship,"e; which seeks to undermine our certainties about intimacy and reality. In There's No Such Thing as a Sexual Relationship, Alain Badiou and Barbara Cassin take possession of Lacan's short text, thinking "e;with"e; Lacan about his propositions and what kinds of questions they raise in relation to knowledge. Cassin considers the relationship of the real to language through a Sophist lens, while the Platonist Badiou unpacks philosophical claims about truth. Each of their contributions echoes back to one another, offering new ways of thinking about Lacan, his seminal ideas, and his role in advancing philosophical thought.

Martin Heidegger was an ordinary Nazi and a loyal member of the provincial petty bourgeoisie. He was also a seminal thinker of the Continental tradition and one of the twentieth century's most important philosophers. How are we to make sense of this dual life? Should we factor Heidegger's domestic and political associations into our understanding of his thought, or should we treat his intellectual work independently of his abhorrent politics? How does any thinker reconcile the mundane with the ideal or the pursuit of philosophical inquiry with the demands of civic engagement?In Heidegger, Alain Badiou and Barbara Cassin immerse themselves in the philosopher's correspondence with his wife Elfride to answer these questions as they relate to Heidegger and all thinkers vulnerable to the politics of their times. They focus on Heidegger's tormented relationship with his wife, with Hannah Arendt, and with numerous other women, bringing an unusual level of intimacy to his personal and intellectual worlds.

What Is a People? seeks to reclaim "e;people"e; as an effective political concept by revisiting its uses and abuses over time. Alain Badiou surveys the idea of a people as a productive force of solidarity and emancipation and as a negative tool of categorization and suppression. Pierre Bourdieu follows with a sociolinguistic analysis of "e;popular"e; and its transformation of democracy, beliefs, songs, and even soups into phenomena with outsized importance. Judith Butler calls out those who use freedom of assembly to create an exclusionary "e;we,"e; while Georges Didi-Huberman addresses the problem of summing up a people with totalizing narratives. Sadri Khiari applies an activist's perspective to the racial hierarchies inherent in ethnic and national categories, and Jacques Ranciere comments on the futility of isolating theories of populism when, as these thinkers have shown, the idea of a "e;people"e; is too diffuse to support them. By engaging this topic linguistically, ethnically, culturally, and ontologically, the voices in this volume help separate "e;people"e; from its fraught associations to pursue more vital formulations.Together with Democracy in What State?, in which Giorgio Agamben, Alain Badiou, Daniel Bensaid, Wendy Brown, Jean-Luc Nancy, Jacques Ranciere, Kristin Ross, and Slavoj iek discuss the nature and purpose of democracy today, What Is a People? expands an essential exploration of political action and being in our time.

';We know that communism is the right hypothesis. All those who abandon this hypothesis immediately resign themselves to the market economy, to parliamentary democracythe form of state suited to capitalismand to the inevitable and ';natural'character of the most monstrous inequalities.'Alain BadiouAlain Badiou's ';communist hypothesis,'first stated in 2008, cut through the cant and compromises of the past twenty years to reconceptualize the Left. The hypothesis is a fresh demand for universal emancipation and a galvanizing call to arms. Anyone concerned with the future of the planet needs to reckon with the ideas outlined within this book.

English-speaking readers might be surprised to learn that Alain Badiou writes fiction and plays along with his philosophical works and that they are just as important to understanding his larger intellectual project. In Ahmed the Philosopher, Badiou's most entertaining and accessible play, translated into English here for the first time, readers are introduced to Badiou's philosophy through a theatrical tour de force that has met with much success in France. Ahmed the Philosopher presents its comic hero, the "e;treacherous servant"e; Ahmed, as a seductively trenchant philosopher even as it casts philosophy itself as a comic performance. The comedy unfolds as a series of lessons, with each "e;short play"e; or sketch illuminating a different Badiousian concept. Yet Ahmed does more than illustrate philosophical abstractions; he embodies and vivifies the theatrical and performative aspects of philosophy, mobilizing a comic energy that exposes the emptiness and pomp of the world. Through his example, the audience is moved to a living engagement with philosophy, discovering in it the power to break through the limits of everyday life.

In this dialogue, Alain Badiou shares the clearest, most detailed account to date of his profound indebtedness to Lacanian psychoanalysis. He explains in depth the tools Lacan gave him to navigate the extremes of his other two philosophical "e;masters,"e; Jean-Paul Sartre and Louis Althusser. Elisabeth Roudinesco supplements Badiou's experience with her own perspective on the troubled landscape of the French analytic world since Lacan's death-critiquing, for example, the link (or lack thereof) between politics and psychoanalysis in Lacan's work. Their exchange reinvigorates how the the work of a pivotal twentieth-century thinker is perceived.

This volume presents a new proposal for the link between philosophy and art. Badiou identifies and rejects the three schemes of didacticism, romanticism, and classicism that he sees as having governed traditional "aesthetics," and seeks a fourth mode of accounting for the educative value of works of art.

The Incident at Antioch is a key play marking Alain Badiou's transition from classical Marxism to a "e;politics of subtraction"e; far removed from party and state. Written with striking eloquence and extraordinary poetic richness, and shifting from highly serious emotional and intellectual drama to surreal comic interlude, the work features statesmen, workers, and revolutionaries struggling to reconcile the nature and practice of politics.This bilingual edition presents L'Incident d'Antioche in its original French and, on facing pages, an expertly executed English translation. Badiou adds a special preface, and an introduction by the scholar Kenneth Reinhard connects the play to Paul Claudel's The City, Saint Paul and the early history of the Church, and the innovative mathematical thinking of Paul Cohen. The translation includes Susan Spitzer's extensive notes clarifying allusions and quotations and hinting at Badiou's intentions. An interview with Badiou encompasses the play's settings, themes, and events, as well as his ongoing literary and conceptual experimentation on stage and off.