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Explore the dark and brooding elegance of Film Noir with this essential handbook to the genre, exploring key noir themes and their most representative movies. Copiously illustrated with film stills as well as original posters, the book also lists TASCHEN's top 50 noir classics. A must for amateurs and aficionados alike.
"The behind-the-scenes story of the quintessential film noir, Double Indemnity, is told for the first time in this enthralling narrative from noir authorities Alain Silver and James Ursini." -- Dust jacket.
"With today's proliferation of nine-figure film budgets, filmmaking may seem more out of reach than ever for the average person. In fact, making a movie for next to nothing has never been easier. In Movies Without Baggage, longtime filmmakers Alain Silver, Obren Bokich, and sundry others recount their experiences in the micro-budget arena and detail how 21st-century technology makes it possible to produce high-quality, full-length features for less than $50,000, $25,000, or even $10,000. Through this book's in-the-trenches tales detailing the making of a dozen micro-budget features, all aspects of making movies without baggage are covered: finding/creating the right script, budgeting, casting, deal-making with actors and crew, scheduling, shooting, post-production, and finally marketing and securing distribution. This entertainingly illustrated volume also includes samples of the paperwork from five of the ultra-low-budget films it profiles"--
"Film Noir Fatal Women" focuses on a single aspect of film noir-America's only film movement. Its 400 illustrations reveal the graphic and sensory core of the femme fatale in noir's classic period. As both visual icon and dramatic persona, the Fatal Woman underlies countless doomed narratives of film noir. From torch singers to gun molls, secretaries to sociopaths, black widows to B-girls, both blondes and brunettes, abused and empowered, the entire catalogue is up for discussion"--
The Third and most recent edition of The Vampire Film featuring a new chapter, "The Vampire at the Millennium " was released in October 1996 to coincide with the centennial of Stoker''s novel Dracula. More vampire films have been produced since the First Edition of The Vampire Film appeared in 1974 than in the entire history of motion pictures prior to that year. The first completely revised and updated edition was published in 1993. The Third Edition insures that what began as the first book-length study of the subject in 1974 remains the most comprehensive available.
This volume surveys the full breath of American neo-noir, its style and substance, its evolution over succeeding generations of filmmakers, from activist through postmodern to millennial and on.
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