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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Brazilian born, French educated, Alberto Santos-Dumont was probably one of only a few aviation pioneers who could claim significant accomplishments in both lighter-than-air and heavier-than-air flying machines. He was the first man to succeed, not once but time after time, in leaving the ground, flying through the air to a place of his own choosing, and landing safely. Around the turn of the century he was the most prominent of all the early aviators, and his balloons, dirigibles and (later in his career) heavier-than-air craft were frequently to be seen in the air around his beloved city of Paris. His early experiments were in dirigible airships of his own design. After many failures, he built a dirigible that in 1901 won the Deutsch Prize, as well as a prize from the Brazilian government, for being the first to fly in a given time from Saint-Cloud to the Eiffel Tower and return. He wrote My Airships when he was 30 years old, in 1904. In it he tells of his childhood in Brazil, his early fascination with machinery and passion for the novels of Jules Verne, his early success in France as an enthusiastic automobilist, his first balloon ascent in 1893, his famous balloon Brazil, and the joys and trials of his first ten dirigibles (1898-1904). Referring to himself as "inventor, patron, manufacturer, amateur, mechanician and airship captain all united," he describes numerous hair-raising scrapes with death while navigating the air. Santos' reputation as an airplane designer was solidified by a machine he produced in 1909. The famous "Demoiselle" or "Grasshopper" monoplane, was the forerunner of the modern light plane. Santos eventually returned to Brazil where, depressed over the use of aircraft in war, he committed suicide.
WORK IS IN FRENCH This book is a reproduction of a work published before 1920 and is part of a collection of books reprinted and edited by Hachette Livre, in the framework of a partnership with the National Library of France, providing the opportunity to access old and often rare books from the BnF's heritage funds.
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