Bøker av Alexander Stewart

Originally published in 1948, this book is of a remarkable gentleman, Alexander Stewart, who was born in Kirkaldy, Fifeshire, in 1790, and died in 1874. In middle life he wrote for his children an account of his adventurous youth. It is a remarkable addition to the corpus of memoirs of the Napoleonic era.

Drawing on contemporary theories in psychology, this book explores the four temperaments - sanguine, choleric, melancholic, and phlegmatic - and how they affect personality and behaviour. As relevant today as when it was first published in 1902.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Revelation of John has long confused and disturbed readers. In The Apocalypse of John among Its Critics, leading experts in Revelation confront the book's difficulties. Each chapter wrestles honestly with a question raised by the book's critics.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We have represented this book in the same form as it was first published. Hence any marks seen are left intentionally to preserve its true nature.

The received wisdom of popular jazz history is that the era of the big band was the 1930s and '40s, when swing was at its height. But as practicing jazz musicians know, even though big bands lost the spotlight once the bebop era began, they never really disappeared. Making the Scene challenges conventional jazz historiography by demonstrating the vital role of big bands in the ongoing development of jazz. Alex Stewart describes how jazz musicians have found big bands valuable. He explores the rich "e;rehearsal band"e; scene in New York and the rise of repertory orchestras. Making the Scene combines historical research, ethnography, and participant observation with musical analysis, ethnic studies, and gender theory, dismantling stereotypical views of the big band.

The book ranges widely over modern social theory, giving detailed treatments of major sources to identify common themes and deficiencies in apparently disparate schools of thought.