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  • - Picador Classic
    av Alexandra Fuller
    165,-

    With an introduction by Anne EnrightShortlisted for the Guardian First Book award, a story of civil war and a family's unbreakable bond.How you see a country depends on whether you are driving through it, or live in it. How you see a country depends on whether or not you can leave it, if you have to.As the daughter of white settlers in war-torn 1970s Rhodesia, Alexandra Fuller remembers a time when a schoolgirl was as likely to carry a shotgun as a satchel. This is her story - of a civil war, of a quixotic battle with nature and loss, and of a family's unbreakable bond with the continent that came to define, scar and heal them.Shortlisted for the Guardian First Book Award in 2002, Alexandra Fuller's classic memoir of an African childhood is suffused with laughter and warmth even amid disaster. Unsentimental and unflinching, but always enchanting, Don't Let's Go to the Dogs Tonight is the story of an extraordinary family in an extraordinary time.

  • av Alexandra Fuller
    135,-

  • av Alexandra Fuller
    179,-

    Here, in one book, is the sequel and the prequel to the hugely successful Don't Let's Go to the Dogs Tonight

  • av Alexandra Fuller
    200 - 275,-

  • av Alexandra Fuller
    293,-

  • av Alexandra Fuller
    252,-

  • av Alexandra Fuller
    165,-

    Our lives would be the `three rifles, supplies for a month and Mozart' of Out of Africa without the plane crashes, syphilis and Danish accent."In 1992 Alexandra Fuller embarked on a new journey, into a long, tempestuous marriage to Charlie Ross, the love of her life.

  • - Travels with an African Soldier
    av Alexandra Fuller
    188,-

    When Alexandra "e;Bo"e; Fuller was in Zambia a few years ago visiting her parents, she asked her father about a nearby banana farmer who was known for being a "e;tough bugger"e;. Her father's response was a warning to steer clear of him: "e;Curiosity scribbled the cat,"e; he told Bo. Nonetheless, Fuller began her strange friendship with the man she calls K, a white African and veteran of the Rhodesian War. With the same fiercely beautiul prose that won her such acclaim for Don't Let's Go to the Dogs Tonight, Fuller here recounts her friendship with K. He is, seemingly, a man of contradictions. Tattooed, battle-scarred, and weathered by farm work, K is a lion of a man, feral and bulletproof. Yet he is also a born-again Christian, given to weeping when he recollects his failed romantic life and welling up inside with memories of battle. For his war, like all wars, was a brutal one, marked by racial strife, jungle battles, brutal tortures, and the murdering of innocent civilians. Like all the veterans of the war, K has blood on his hands. Driven by K's memories, Fuller and K decide to enter the heart of darkness in the most literal way, by traveling from Zambia through Zimbabwe (formerly Rhodesia) and Mozambique to visit the scenes of the war and to meet other veterans. What results from Fuller's journey is a remarkably unbiased and unsentimental glimpse at life in Africa, a land that besets its creatures with pests, plagues, and natural disasters, making the people there at once more hardened and more vulnerable than elsewhere.

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