Bøker av Algernon Blackwood

Set against the terrifying and tense backdrop of the First World War, this Algernon Blackwood tale is a masterful example of weird literature and a classic short horror story. First published in 1921, this anti-war tale follows the protagonist as he leaves his Holy Order and finds work with the Red Cross in France. Dedicating his life to helping in the hospitals and convalescent camps, he discovers the true horrors of war. He finds peace and respite during walks in the forest but soon encounters a strange, comely woman who entraps him in her curious rituals.

This chilling tale is shrouded in the eerie atmosphere of classic ghost stories as two men unravel the mysteries of an abandoned barn with a macabre past. The supernatural remnants of occult experiments linger in a barn where a disturbed gardener met his tragic end. When two men decide to spend a night in the forsaken place, they're soon overwhelmed by its omnipresent darkness. While sharing spine-chilling stories of folklore and legend, the men are consumed by fear as they realise the horrifying presence looming around them. Prepare to confront the unknown in With Intent to Steal, where survival may come at a nightmarish price.

In The Wave, Algernon Blackwood has written a story of reincarnation in the style that has won him fame, and of which he is peculiarly and essentially the master. It is mystical and absorbing, and the style is as delightful as the plot is thrilling. To attempt to reveal the scheme of the story would be to spoil it for the reader. It is, therefore, better to say that "The Wave" is a novel well worth reading -- more particularly for those who enjoy the mystical. Such persons will revel in the adventures of Thomas Kelverdon, haunted from boyhood by the premonition of a great wave that would at some moment of his life rise behind him and break over him. It never did, but the feeling that it would was almost always present with him. He was not in fear of drowning, but nevertheless was haunted by the wave's presence. Anyone who has read "Julius Le Vallon," "John Silence," "Ten Minute Stories," etc., by the same author, will be pleased to read "The Wave," which is quite as good in its way as any of its predecessors. (From a review in The Brooklyn Daily Eagle, Brooklyn, New York, 24 February 1917).

The Centaur is a story of a man who is uncomfortable in the modern world and seeks to find the relief from this feeling. He takes vacation to get back in touch with Nature, and heads for Caucasus, the land, which he believes is not yet polluted with the imprint of progress. On his way, he encounters several individuals who argue both for and against the reality of his discomfort and the meaning behind it. Thus, the whole story turns into an opposition and, at the same time, friendship between two sorts of man: the skeptic and the dreamer. The conflict reaches its climax as climax as the travellers see a herd of the mythical creatures, centaurs. This encounter arouses the feeling of supernatural horror. The characters feel the outside force dominating them. Yet, each handles this situation differently. Some get obsessed, while others come away with a feeling of discovered truth. A deeply philosophical novel about our inner drive to discover the mysteries of the world, that remains topical for all times.

'Of the quality of Mr. Blackwood's genius there can be no dispute' - H.P. Lovecraft

A Prisoner in Fairyland (1913) is a novel by Algernon Blackwood. Having already established himself as a promising short story writer, Blackwood began publishing novels at the age of 40. A lifelong occultist, Blackwood was interested in the fine line between the human and spiritual realms, often incorporating supernatural elements into his work. A Prisoner in Fairyland is a story of a wealthy retiree¿s return to the wonderful imaginative world of his youth. Hoping to spend the rest of his life in service of others, he gets the old Starlight Express up and running again. ¿For, from boyhood up, a single big ambition had ever thundered through his being¿the desire to be of use to others. To help his fellow-kind was to be his profession and career.¿ Henry Rogers has always been a dreamer. On the brink of retirement, he plans to use his carefully accumulated wealth to fulfill his philanthropic destiny. Initially unsure of the shape of his charitable contribution to society, a trip to his childhood home changes everything. There, he finds the old train carriage where he would spend days at a time immersed in a world of fantasy and adventure. Back on the Starlight Express, Rogers plans to take deserving passengers to the wondrous realm of Fairyland. He soon discovers, however, that his impassioned beliefs¿however well-intentioned¿risk condemnation and persecution from those whose investments on Earth prevent them from indulging in imaginative excursions into the unknown. A Prisoner in Fairyland is a story for children and adults alike, a novel that poses timeless questions regarding the nature of our existence, both upon earth and beyond. With a beautifully designed cover and professionally typeset manuscript, this edition of Algernon Blackwood¿s A Prisoner in Fairyland is a classic work of British literature reimagined for modern readers.

This classic ghost story is set on the isolated islands of Orkney as a man runs from the horrors he encountered in the North American wilderness. Jim Peace returns to his brother, Tom, and their childhood home in the Orkneys after spending 30 years working in Canada. Despite the comforting familiarity of the islands, something has changed within Jim, and he attempts to conceal his deteriorating state of mind from his brother and friends. As a heavy storm hits, Jim becomes transfixed by a pack of wolves only he can see, and Tom grows increasingly concerned for his brother's health. This classic short story by Algernon Blackwood was first published in his 1921 collection, The Wolves of God and Other Fey Stories, and is not to be missed by fans of classic horror literature.

Spannende Kurzgeschichten aus dem 1920er und 1930er JahrenDie Olive von Algernon Blackwood, Das Bat and Belfry Inn von Alan Graham, Das Richtige tun von Ray Cummings, Die Lüge von Holloway Horn, Die Medici Stiefeletten von Pearl Norton Swet, Wo war die Wych Street? von Stacy Aumontier, Der Würfler von Sidney Southgate, Die Motte von H.G. Wells

Blackwood wrote over 200 short stories and 12 novels, and is considered by some to be the greatest supernatural writer of the early 20th century. His stories are most often set in an ordinary world, so that when the horror and ghostly elements appear, they surprise the narrator and the reader. Even the most innocent meeting (as in "The Glamour of the Snow" can turn into an event of terror. "The girl stood in front of him, very near; he felt her chilly breath upon his cheeks; her hair passed blindingly across his eyes; and that icy wind came with her. He saw her whiteness close; again, it seemed, his sight passed through her into space as though she had no face."

Throughout his adult life, Blackwood was an occasional essayist for various periodicals. During his late thirties, he relocated back to England and started to write stories of the supernatural. He was successful, writing at least ten original collections of short stories and eventually performing by radio and television to tell them.

The Willows is a novella by Algernon Blackwood, first published in 1907. It is often considered one of Blackwood's greatest works and a classic of supernatural fiction. The story is renowned for its atmospheric tension and exploration of the unknown.Two friends, the unnamed narrator and his companion known as "The Swede," embark on a canoe trip down the Danube River. They venture into a remote and desolate region filled with dense willows, far from civilization. The landscape is eerie and otherworldly, with the river seeming to possess a life of its own.As they set up camp on a small island surrounded by willows, they begin to experience strange and unsettling phenomena. The willows seem to move and whisper, creating an overwhelming sense of unease. The natural environment appears hostile and alive, contributing to the growing tension.The protagonists soon realize they are not alone. They sense the presence of malevolent, unseen entities that inhabit the area. These forces are beyond human understanding and defy logical explanation. The isolation, coupled with the oppressive atmosphere, drives the men to the brink of madness.Throughout the story, Blackwood masterfully builds a sense of dread through his vivid descriptions of the landscape and the psychological effects on the characters. The story's power lies in its ability to evoke the unknown and the inexplicable, leaving readers with a lingering sense of fear and wonder.

"They first became properly visible, these huge figures, just within the tops of the bushes -- immense, bronze-colored, moving, and wholly independent of the swaying of the branches. I saw them plainly and noted, now I came to examine them more calmly, that they were very much larger than human, and indeed that something in their appearance proclaimed them to be not human at all. Certainly they were not merely the moving tracery of the branches against the moonlight. They shifted independently. They rose upwards in a continuous stream from earth to sky, vanishing utterly as soon as they reached the dark of the sky. They were interlaced one with another, making a great column, and I saw their limbs and huge bodies melting in and out of each other, forming this serpentine line that bent and swayed and twisted spirally with the contortions of the wind-tossed trees. They were nude, fluid shapes, passing up the bushes, within the leaves almost - rising up in a living column into the heavens. Their faces I never could see. Unceasingly they poured upwards, swaying in great bending curves, with a hue of dull bronze upon their skins. . . . For the longer I looked the more certain I became that these figures were real and living, though perhaps not according to the standards that the camera and the biologist would insist upon.""The Willows" is an example of early modern horror and is connected within the literary tradition of weird fiction.

In Algonquian folklore, the wendigo is a cannibal monster or evil spirit native to the northern forests of the Atlantic Coast and Great Lakes Region of both the United States and Canada/ Manitoba. The wendigo may appear as a monster with some characteristics of a human, or as a spirit who has possessed a human being and made them become monstrous. (Jacketless library hardcover.)

This book has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

In this collection of his most atmospheric and uneasy tales, Mike Ashley provides the facts of Blackwood's life which inspired each story - including experiences as an intelligence agent in the First World War and adventures in New York - to tell the parallel tale of the author's lifetime of the supernatural.

Blackwood's 'The Empty House' is one of the most famous haunted house stories in the English language, with its carefully crafted gathering of tension and dread inference of terrors lurking at the end of every corridor. This edition includes 'A Haunted Island', 'The Wood of the Dead', 'Skeleton Lake' and several other ghoulish tales.

The book, The Empty House and Other Ghost Stories , has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.