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The Chatelaine of Vergi is a classic French romance from the 13th century. This edition features a new translation by Alice Kempwelch, as well as contextual essays by Gaston Raynaud and Louis Brandin. Readers will be transported to a world of chivalry, courtly love, and epic adventure.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Dieses klassische Buch wurde ursprünglich vor Jahrzehnten veröffentlicht als Of Six Mediæval Women To Which Is Added A Note on Mediæval Gardens . Es wurde jetzt von Writat für seine deutschsprachigen Leser ins Deutsche übersetzt. Bei Writat liegt uns die Bewahrung des literarischen Erbes der Vergangenheit sehr am Herzen. Wir haben dieses Buch ins Deutsche übersetzt, damit es heutige und zukünftige Generationen lesen und bewahren können.
Ce livre classique a été initialement publié il y a des décennies sous le titre "" Of Six Mediæval Women To Which Is Added A Note on Mediæval Gardens . Il a maintenant été traduit par Writat en langue française pour leurs lecteurs francophones. Chez Writat, nous sommes passionnés par la préservation du patrimoine littéraire du passé. Nous avons traduit ce livre en français afin que les générations présentes et futures puissent le lire et le conserver.
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We have represented this book in the same form as it was first published. Hence any marks seen are left intentionally to preserve its true nature.
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