Bøker av Amatoritsero Ede

This book demonstrates how humans can become sensitised to, and intervene in, environmental degradation by writing, reading, analysing and teaching poetry. For educational professionals engaged in teaching environmental, sustainability, and development topics, particularly from a humanities-led perspective.

About the Book Imagination's Many Rooms is a well-crafted collection of bristling essays on different but related subjects. Partly socio-political and literary commentary, partly a young poet's reminiscences and encounters with global literary and cultural icons, the individual pieces are thematically grouped into sections in an organic anthology. It is written in a highly arresting style, with two of the pieces being essayistic conversations with a dead Canadian writer and a dead Nigerian scholar-poet respectively. These essays first appeared in the Maple Tree Literary Supplement (MTLS) literary journal in slightly different forms as editorials for specific editions of the Ezine. The essay, "The Example of Mandela" is anthologized as "The Peaceful "Trouble!" in Mandela: Tributes to a Global Icon (Falola 2014).Amatoritsero Ede is an international award-winning poet born in Nigeria. He has published three highly acclaimed poetry collections, A writers Pains & Caribbean Blues (1998), Globetrotter & Hitler's Children (2009) and Teardrops on the Weser (2021). The first collection won the 1998 All Africa Okigbo Prize for Literature and the second was nominated for the Nigerian Literature Prize in 2013. A widely anthologized poet, Ede also won second prize in the First May Ayim Award: International Black German Prize in 2004. He is literary scholar and Assistant Professor of English at Mount Allison University, New Brunswick as well as the Publisher and Managing Editor of the Maple Tree Literary Supplement at . Imagination's Many Rooms is his first essay collection.

Teardrops on the Weser navigates a geographical river that runs through northwestern Germany, but also an autobiographical river that's sourced in the Niger River Delta of Amatoritsero Ede's native Nigeria. Thus, his river of letters-of type versus stereotype, which is sectioned alphabetically, echoes African-American poet Langston Hughes' "The Negro Speaks of Rivers," but also shouts out to German poet Rainer Maria Rilke and the martyred, Nigerian poet Ken Saro-Wiwa. But one might also think of Canadian poet Judith Fitzgerald's River (1995) and Brit bard Ted Hughes' River (1983). But the echoes are extras-just glintings upon the poet's original scintillance: "a sharp drawn breath / and I swallow sea water / just as a swallow swoops // across my view and up / to claim the roof / above my head." No mater what: Never can you read the same poem the same way twice. You lunge forward on these rapids; you don't lounge.¿- George Elliott Clarke7th Parliamentary Poet Laureate of Canada (2016 & 2017)A masterful evocation of past wrongs through the lens of a seductively peaceful present. Amatoritsero Ede's meditative voice seduces us into a voyeuristic trance on a German river bank. Until we are suddenly awakened to the realisation that the "teardrops" are not for the Weser but for the burden of history carried all the way to Africa and beyond. A compelling read.- Olive SeniorHere's poetry at its best. Here's a collection that astounds with the freshness of its imagery and the ripple and flow of its lyricism. Like the river of its title, it runs non-stop through the reader's mind. This is a collection to return to over and over again.- Helon Habila, Award-Wining, novelist and poet.