Bøker av Amy Lyford

Exploring the complex interweaving of race, national identity, and the practice of sculpture, Amy Lyford takes us through a close examination of the early US career of the Japanese American sculptor Isamu Noguchi (1904-1988). The years between 1930 and 1950 were perhaps some of the most fertile of Noguchi's career. Yet the work that he produced during this time has received little sustained attention. Weaving together new archival material, little-known or unrealized works, and those that are familiar, Lyford offers a fresh perspective on the significance of Noguchi's modernist sculpture to twentieth-century culture and art history. Through an examination of his work, this book tells a story about his relation to the most important cultural and political issues of his time.

Beautifully illustrated with images of Dorothea Tanning's artwork and more, the first--and definitive--study of this important artist's life and creative output. Dorothea Tanning (1910-2012) has for decades been known primarily as a Surrealist, but Exquisite Dreams shows how the work of this passionate, dynamic, and voraciously curious artist is impossible to categorize. Tanning's lesser-known but equally powerful sculptures, abstract paintings, and films are explored here, and her writings, biography, and art are examined in the contexts of twentieth-century developments in advertising, fashion, popular culture, and art in New York and Paris. Using new archival sources and analyses of Tanning's work in a variety of media, Amy Lyford broadens our understanding of the artist and illuminates her stunning diversity and achievement. This richly illustrated book is an important contribution to the history of women artists, gender, and sexuality studies, as well as the history of Surrealism.

Offers an exploration of how surrealist visual production was shaped by constructions of gender and sexuality, particularly masculinity, in the 1920s and early 1930s. This book analyzes surrealist work in relation to the history of surrealism and investigates how surrealist artists and writers appropriated advertising, and sexology.