Bøker av Amy M. Damico

This volume summarizes the evolution of news and information in the United States as it has been shaped by technology (penny press, radio, TV, cable, the internet) and form development (investigative journalism, tabloid TV, talk radio, social media).Media, Journalism, and "Fake News": A Reference Handbook provides readers with an overview of news and media in the United States. Additionally, the book discusses, additionally discussing the economic state of the news industry, partisan news, misinformation and disinformation, issues of representation, and the impact of social media. The volume starts with a background of the development of news and information in the United States. It then goes on to discuss significant problems, controversies, and solutions related to the topic. Readers also will be able to develop their understanding of the topic by reading profiles of key figures and organizations that contributed to the current news climate. A comprehensive list of resources will help readers decide where to go next should they want to learn more about a particular area of interest.

In its exploration of some of the most influential, popular, or critically acclaimed television dramas since the year 2000, this book documents how modern television dramas reflect our society through their complex narratives about prevailing economic, political, security, and social issues.Television dramas have changed since the turn of the 21st century-for the good, many would say, as a result of changes in technology, the rise of cable networks, and increased creative freedom. This book approaches the new golden age of television dramas by examining the programs that define the first 15 years of the new century through their complex narratives, high production value, star power, popularity, and enthusiastic fan culture.After an introduction that sets the stage for the book's content, thematic sections present concise chapters that explore key connections between television dramas and elements of 21st-century culture. The authors explore Downton Abbey as a distraction from contemporary class struggles, patriarchy and the past in Game of Thrones and Mad Men, and portrayals of the "dark hero protagonist" in The Sopranos, Dexter, and Breaking Bad, as a few examples of the book's coverage. With its multidisciplinary perspectives on a variety of themes-terrorism, race/class/gender, family dynamics, and sociopolitical and socioeconomic topics- this book will be relevant across the social sciences and cultural and media studies courses.