Bøker av Andrea Dworkin

The book that Andrea Dworkin's best known for-in which she provoked the argument that ultimately split apart the feminist movement-is being reissued for the young women and men of the twenty-first century

'Pornography is the orchestrated destruction of women's bodies and souls ... it is war on women'Pornography, Andrea Dworkin argued in this landmark work, is about power: the power of owning, of money, of sex. It is not merely violence against women, but the essential DNA of male dominance. As images of women's bodies continue to be manipulated and consumed, her searing, fearless critique of pornographic media is more urgent and discomfiting than ever.'A major text for our time' Adrienne Rich'Dworkin writes with power, anger, daring - and from a great care and love of womankind' Alice Walker'The woman who showed us the dark core of pornography, the punishing hatred of women that pervades it' Guardian

'Feminism is hated because women are hated'Why do some women support right-wing movements, even though they curtail their freedoms? Andrea Dworkin's timeless, visionary analysis goes to the heart of this contradiction, exploring the Right's positions on abortion, sexuality, racism and antifeminism, and showing how it attempts both to exploit and to quiet women's deepest fears of male violence. The right-wing woman, Dworkin contends, acquiesces to male authority for protection and some semblance of power: because 'survival depends on it'.'Groundbreaking' Bella Abzug'Her razor-sharp analysis of why so many women are attracted to a politics that despises their rights is more relevant today than ever' Guardian

Selections from the work of radical feminist author Andrea Dworkin, famous for her antipornography stance and role in the feminist sex wars of the 1980s.Radical feminist author Andrea Dworkin was a caricature of misandrist extremism in the popular imagination and a polarizing figure within the women's movement, infamous for her antipornography stance and her role in the feminist sex wars of the 1980s. She still looms large in feminist demands for sexual freedom, evoked as a censorial demagogue, more than a decade after her death. Among the very first writers to use her own experiences of rape and battery in a revolutionary analysis of male supremacy, Dworkin was a philosopher outside and against the academy who wrote with a singular, apocalyptic urgency. Last Days at Hot Slit brings together selections from Dworkin's work, both fiction and nonfiction, with the aim of putting the contentious positions she's best known for in dialogue with her literary oeuvre. The collection charts her path from the militant primer Woman Hating (1974), to the formally complex polemics of Pornography (1979) and Intercourse (1987) and the raw experimentalism of her final novel Mercy (1990). It also includes "Goodbye to All This” (1983), a scathing chapter from an unpublished manuscript that calls out her feminist adversaries, and "My Suicide” (1999), a despairing long-form essay found on her hard drive after her death in 2005.

This volume contains the oral testimony of victims of pornography, recorded at hearings on a groundbreaking civil rights law drafted by Andrea Dworkin and Catharine MacKinnon. From the first hearings in Minneapolis in 1983 to those in Massachusetts in 1992, the witnesses offer their personal experiences of sexual subordination due to pornography.

Always innovative, often provocative, and frequently polarizing, Andrea Dworkin carved out a unique position as one of the women's movement's most influential figures. She wrote thirteen books, ranging across feminist theory, fiction and poetry. This book is her memoir.