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Angela Leighton's sixth book of poems turns on the curious arts of remembering and forgetting.
Combining biographical material with theoretical readings of poems, Angela Leighton offers a reinterpretation not only of some original and intriguing literature, but also of the very canon of Victorian poetry. Impressive in scope and highly original in its aims, this study will serve as the main critical work in this area for many years to come.
Drawing on the writings of critics and philosophers and on the comments of poets and novelists who have pointed to the role of the ear in writing and reading, Angela Leighton offers a reconsideration of literature as an exercise in hearing things, and renews a call for criticism that is creatively attentive to sound's work in every literary text.
The new collection from celebrated poet and critic Angela Leighton, Senior Research Fellow in English at Trinity College.
This book presents a major reassessment of Shelley's poetry. Whereas other criticism has stressed the philosophical and political concerns of his poetry in isolation, Angela Leighton argues that Shelley's philosophy and politics are presented as problems of poetic utterance and are this inseparable from his aesthetics.
On Form assesses both the legacy of Victorian aestheticism and the nature of the literary. It tracks the development of the word 'form' since the Romantics and offers readings of, among others, Tennyson, Yeats, Stevens, and Plath. Original readings of poetry are combined with a powerful argument about the nature of aesthetic pleasure.
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