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How dance and mass movement are used as a political tool by political regimes, especially authoritarian governments, as a way of showing symbolic mass support for the regime. Such regimes require spectacle to present them as protectors of the ethnic and national identities of their subjects, represented by the costumed folk dancers. 18 b/w illus.
In this book Anthony Shay examines the life and works of renowned choreographer Igor Moiseyev and his dance company.
Shay investigates the many motives that impelpeople to dance in these staged productions: dancing for sex or dancing sexydances, dancing for fun and recreation, dancing for profit - such as dancingfor tourists - dancing for the nation or to demonstrate ethnic pride.
Looks at how various cultures use dance as a visual representation of their identity, and how ""traditional"" dances change over time. This work discusses several ""parallel layers"" of dance: dances performed at intra-cultural social occasions, dances used for representation or presentation, and folk dance performances.
Describes and analyzes the phenomenal popularity of exotic dance forms among mainstream Americans. This study examines the ways in which ethnic dancing has allowed many Americans to create exciting and romantic identities through dancing the dances of the ""exotic other,"" if only within the framed moment of a one-time dance lesson or performance.
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