Bøker av Ashwiny O. Kistnareddy

This volume offers an important examination of the ways in which artistic manipulations of time can lead to a different perception of time as nonsynchronous and anti-chronological. The range of media (philosophical essays, film, plays, novels, autobiographical narratives) and periods (medieval, early modern, contemporary) explored here testify to the enduring significance of so-called «delays» and the need to rethink these as anachronies. The spectral presence of the notion of «Kairos» throughout this volume connects different attempts to subvert linear time, on occasion allowing events and temporalities to coexist and compete or, alternately, asking the mind to stretch itself and experience the uneasiness of time by attempting and failing to encompass diverse spaces and temporalities concomitantly. The resulting essays interrogate, test and contest the limits of the possible and enable a rethinking of what time could represent across disciplines and genres.

It draws on diverse theoretical perspectives, including postcolonial theory, affect theory and critical race theory, while bringing visibility to the many women across various historical and geographical terrains who write about (im)migration and the impact on men, even as these women, too, acquire a different position in the new society.

Despite its inherent negative implications as a purveyor of essentialism, the concept of hybridity holds a great deal of critical purchase in the postcolonial world. Hybridity allows identities and cultures to be conceptualized as different and manifold, allowing for the undermining of the binaries of self and other, centre and periphery, colonizer and colonized. In Mauritius, a country where numerous civilizations (African, European, Indian, Chinese) coexist and have constructed a new society, linguistic practices, culture and the body are all intrinsically linked to the concept of identity. The author of this study provides a timely discussion of hybridity in the novels of Ananda Devi, perhaps the most famous name in the Mauritian literary landscape. The book analyses various linguistic practices through the lens of linguistic criticism and theory. It then shifts its attention to psychological dislocations suffered by postcolonial subjects having a hybrid identity, as extolled by theorists such as Glissant and Bhabha, and offers an alternative interpretation of identity. Finally, the physical repercussions of hybridity are discussed in order to gauge its relevance in a society such as Mauritius.