Bøker av Avrom Fleishman

Caligari and Hiroshima Mon Amour); multiple narration, in which a number of characters tell the story that is the film (Rashomon and Zelig); written narration, whether through diaries or letters (Letter from an Unknown Woman and Diary of a Country Priest); and the cinematic version of interior monologue, which Fleishman terms mindscreen narration (Brief Encounter and Daybreak).

This volume argues that a new class is emerging in the wake of the information economy, and studies how this class is reshaping American culture.

Now that the political correctness controversy has cooled, a time for sober reflection on the field of English has arrived. Beyond stimulating self-evaluation by English educators, this study prepares readers outside the field to selectively encourage new curricular and methodological opportunities.