Bøker av Barbara Fuchs

Representing Imperial Rivalry in the Early Modern Mediterranean explores representations of national, racial, and religious identities within a region dominated by the clash of empires. Bringing together studies of English, Spanish, Italian, and Ottoman literature and cultural artifacts, the volume moves from the broadest issues of representation in the Mediterranean to a case study – early modern England – where the “Mediterranean turn” has radically changed the field.The essays in this wide-ranging literary and cultural study examine the rhetoric which surrounds imperial competition in this era, ranging from poems commemorating the battle of Lepanto to elaborately adorned maps of contested frontiers. They will be of interest to scholars in fields such as history, comparative literary studies, and religious studies.

In Knowing Fictions, Barbara Fuchs engages the picaresque as a set of literary strategies that interrogate the mechanisms of truth-telling itself and shows how picaresque texts effectively encouraged readers to adopt a critical stance toward the truth claims implicit in the forms of authoritative discourse proliferating in Imperial Spain.

Cervantes challenges the state's attempt to categorize its subjects by presenting characters who pass for another gender, nationality, or religion.

Reflecting on humanity's shared desire for certainty, this book explores the discrepancies between religious adherence and inner belief specific to the early modern period, a time marred by forced conversions and inquisition.

Barbara Fuchs examines the paradoxes in the construction of Spain in relation to its Moorish heritage through an analysis of Spanish literature, costume, language, architecture, and chivalric practices from 1492 to 1609.

Representing Imperial Rivalry in the Early Modern Mediterranean explores representations of national, racial, and religious identities within a region dominated by the clash of empires.

Amid thorny issues of translation and appropriation, imperial rivalry, the rise of commercial authorship, and anxieties about authenticity, Barbara Fuchs traces how early modern English writers borrowed Spanish literary models, triumphantly reimagining the transnational appropriation as heroic looting.

Often derided as an inferior form of literature, 'romance' as a literary mode or genre defies satisfactory definition. This useful guidebook charts the transformations of 'romance' throughout literary history and explores its use.