Bøker av Barbara Tepa Lupack

In The Othering of Women in Silent Film: Cultural, Historical, and Literary Contexts, Barbara Tepa Lupack explores the rampant racial and gender stereotyping in early cinema and demonstrates how that imagery helped shape American attitudes and practices.

The first book-length examination of Jerzy Kosinski in more than a decade, Being There in the Age of Trump goes beyond conventional literary and film analysis to a larger interdisciplinary and cultural study of the issues that Kosinski so presciently explored in both the novel and the film Being There.

and from the Arthurian juvenile fiction sequences and series to the films and television shows featuring Arthurian characters, children have learned about the world of King Arthur and his Knights of the Round Table.

The essays in Vision/Re-Vision analyze in detail ten popular and important films adapted from contemporary American fiction by women, addressing the ways in which the writers'' latent or overt feminist messages are reinterpreted by the filmmakers who bring them to the screen, demonstrating that there is much to praise as well as much to fault in the adaptations and that the process of adaptation itself is instructive rather than destructive, since it enriches understanding about both media.

From Edwin S. Porter to Mike Nichols, from D. W. Griffith to Steven Spielberg, American filmmakers have looked to the novel for story ideas. Different in its complexities from the classic novels of Dickens, London, and Tolstoy to which earlier filmmakers turned, the contemporary American novel poses a real challenge to the filmmaker, who must translate its occasionally unfilmable essence for a new audience. "Take Two" closely analyzes the adaptations of ten such works: "Catch-22," "One Flew over the Cuckoo's Nest," "Slaughterhouse-Five," "Being There," "The World According to Garp," "Sophie's Choice," "The Color Purple," "Ironweed," "Tough Guys Don't Dance," and "Billy Bathgate,"