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In The Othering of Women in Silent Film: Cultural, Historical, and Literary Contexts, Barbara Tepa Lupack explores the rampant racial and gender stereotyping in early cinema and demonstrates how that imagery helped shape American attitudes and practices.
The first book-length examination of Jerzy Kosinski in more than a decade, Being There in the Age of Trump goes beyond conventional literary and film analysis to a larger interdisciplinary and cultural study of the issues that Kosinski so presciently explored in both the novel and the film Being There.
"Filmmakers Ted and Leo Wharton, whose serials became popular in the 1910s, established a model for incremental storytelling and holdover suspense still employed by filmmakers and television producers more than a century later"--
In the early 1900s, so-called race filmmakers set out to produce black-oriented pictures to counteract the racist caricatures that had dominated cinema from its inception. Richard E. Norman, a southern-born white filmmaker, was one such pioneer. From humble beginnings as a roving "e;home talent"e; filmmaker, recreating photoplays that starred local citizens, Norman would go on to produce high-quality feature-length race pictures. Together with his better-known contemporaries Oscar Micheaux and Noble and George Johnson, Richard E. Norman helped to define early race filmmaking. Making use of unique archival resources, including Norman's personal and professional correspondence, detailed distribution records, and newly discovered original shooting scripts, this book offers a vibrant portrait of race in early cinema.
and from the Arthurian juvenile fiction sequences and series to the films and television shows featuring Arthurian characters, children have learned about the world of King Arthur and his Knights of the Round Table.
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