Bøker av Ben Burt

The Museum of Mankind was an innovative and popular showcase for minority cultures from around the non-Western world from 1970 to 1997. This memoir is a critical appreciation of its achievements in the various roles of a national museum, of the personalities of its staff and of the issues raised in the representation of exotic cultures. Issues of changing museum theory and practice are raised in a detailed case-study that also focuses on the social life of the museum community. This is the first history of a remarkable museum and a memorable interlude in the long history of one of the world's oldest and greatest museums. Although not presented as an academic study, it should be useful for museum and cultural studies as a well as a wider readership interested in the British Museum.

Burt studies the effects of the 19th century labour trade, colonial subjugation and the subsequent Christian conversion. He examines the anti-colonial Maasina Rule movement of the 1940s and finally illustrates the subsequent efforts of Kwara'ae leaders to regain their self-determination and to reaffirm the values of "tradition" under Christianity.The Kwara'ae example of colonialism and Christianity is part of the broader experience of Melanesia and of other peoples in the Third World who once lived a tribal life. The detailed local focus, based on a year of fieldwork, provides valuable evidence essential to a wider comparative analysis of colonial history and the continuing development of indigenous Christianity from an anthropological and a historical perspective. Tradition and Christianity explores how and why a Pacific Islands people, fiercely attached to the tradition of their ancestors, have transformed their society by changing their religion.

In this autobiographical account of life in the capital of the Solomon Islands, Michael Kwa'ioloa reflects on the challenges of raising a family in town and sustaining ties with a distant rural homeland on Malaita island. Continuing the long tradition of Kwara'ae community leaders participating in political activism, he discusses how the roles of these leaders were severely tested by the violent conflict between Malaitans and the indigenous Guadalcanal people at the turn of the century. Kwa'ioloa provides a local perspective on the causes and course of this unhappy episode in his country's history and describes a need for a way of life founded upon ancestral values, giving chiefs a role in the governance of Solomon Islands.

Based on an excellent range of case studies and supported throughout by useful learning features, World Art explores the concept of 'art' as understood by cultures across the globe. This invaluable textbook is essential reading for all anthropology of art students, as well as students of museum studies and art history.