Bøker av Benjamin Nagari

Chapters present a Jungian approach to music in film, highlighting how `music-image¿ functions both independently and in conjunction with the visual image, and suggesting further directions in areas of research including music therapy and autism. Divided into three cumulative parts, Part I explores the Jungian psychological account of the music-image; Part II combines theory with practice in analysing how the auditory image works with the visual to create the `film as a whole¿ experience; and Part III implements a specific understanding of three individual film cases of different genres, eras and styles as psychologically scrutinised `case histories¿.