Bøker av Bernard Brandon Scott

In the ancient world, writings were read aloud, heard, and remembered. In contrast, modern exegesis assumes a silent text. For Margaret Lee and Brandon Scott, the disjuncture between ancient and modern approaches to literature obscures the beauty and meaning in writings such as the New Testament. As the structure of an ancient Greek composition derives first from its sounds, and not from the meaning of its words, sound analysis, analysis of the signifier and its audible dimension, are crucial to interpretation.Sound Mapping the New Testament explores writing technology in the Greco-Roman world, and uses ancient Greek literary criticism for descriptions of grammar as a science of sound and literary composition as a woven fabric of speech. Based on these perspectives and a close analysis of writings from the four Gospels, Paul, and Q, Lee and Scott advance a theory of sound analysis that enables modern readers to hear the New Testament afresh. This second edition includes a new introduction which reviews a decade of sound mapping scholarship.

In the Hellenistic world, writings were read aloud, heard and remembered. But modern exegesis assumes a silent text. This title offers an exploration of writing technology in the Greco-Roman world. It also looks at Hellenistic literary criticism for descriptions of grammar as a science of sound and literary composition as a woven fabric of speech.

Presents the diverse voices of pioneering scholars, some of whom put their reputations and careers on the line when, in 1985, they chose to go public with scholarship that had been common knowledge in scholarly circles for more than a hundred years.