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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Features the text in the great controversies over literature and art between thinkers who have become giants of 20th-century philosophy.
The leading scholarly publication on Brecht; volume 43 contains a wealth of articles on diverse topics and a reconstruction of the two-chorus version of The Exception and the Rule.
A wholly revised, re-edited and expanded edition of one of the seminal texts of twentieth century theatre. Featuring new translations, additional texts, illustrations and editorial matter, this is a fullest and clearest account yet of Brecht's thinking on theatre and aesthetics.
"This publication was supported by a grant from the Goethe-Institut, India"--page facing title page.
"A selection of Brecht's principal writings for directors and theatre practitioners"--Page 4 of cover.
A new paperback edition of what is arguably Brecht's finest comedy, featuring an extensive introduction and commentary and Brecht's own notes.
Brecht is an important lyrical voice of the 20th century, and is honoured as Germany's greatest modern poet. Yet his poetry is relativley little known in the English speaking world. This title takes its cue from a poem about the artist's legacy and looks at how Brecht's work might read today.
Volume four of "Brecht's Collected Plays" contains works from the 1930s, straddling fateful years in German political and cultural history - as well as Brecht's own life. The plays included tackle the Nazi race policy and life under Hitler, the Spanish Civil War and pacifism.
Long in preparation, here are the essential poems and prose of one of the giants of 20th century world literature. Following an authoritative introduction by Reinhold Grimm, the volume includes German and English poems on facing pages.
This volume contains a selection of Brecht's last completed plays, from the eight years between his return from America to Europe after the war and his death in 1956. It contains 'The Antigone of Sophocles', 'The Days of the Commune', 'Turandot or The Whitewashers' Congress'.
Brecht's "Work Journals" cover the period from 1938 to 1955, the years of exile and his return to East Berlin. The accounts of his writing practice provide insight into the creation of his dramatic works, the development of his political thinking and his theories about epic theatre.
This volume contains new translations to extend our image of one of the twentieth century's most entertaining and thought provoking writers on culture, aesthetics and politics. Here are a cross-section of Brecht's wide-ranging thoughts which offer us an extraordinary window onto the concerns of a modern world in four decades of economic and political disorder. The book is designed to give wider access to the experience of a dynamic intellect, radically engaged with social, political and cultural processes. Each section begins with a short essay by the editors introducing and summarising Brecht's thought in the relevant year.
This volume brings together two of Brecht's most studied and performed plays: Life of Galileo and Mother Courage and Her Children together with full editorial apparatus and Brecht's own notes and textual variants.
Written between 1939-1942 "The Messingkauf Dialogues" are among the most concise, witty and light-hearted of all Brecht's theoretical discussions of theatre.
A terrifying series of short poems by one of the world's leading playwrights, set to images of World War IIIn this singular book written during World War Two, Bertolt Brecht presents a devastating visual and lyrical attack on war under modern capitalism. He takes photographs from newspapers and popular magazines, and adds short lapidary verses to each in a unique attempt to understand the truth of war using mass media. Pictures of catastrophic bombings, propaganda portraits of leading Nazis, scenes of unbearable tragedy on the battlefield all these images contribute to an anthology of horror, from which Brecht's perceptions are distilled in poems that are razor-sharp, angry and direct. The result is an outstanding literary memorial to World War Two and one of the most spontaneous, revealing and moving of Brecht's works.
An historic publication in which the legendary dramatist emerges, quite like Goethe, as a poet driven by Eros.
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